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Today's Stichomancy for Samuel L. Jackson

The first excerpt represents the past or something you must release, and is drawn from Prince Otto by Robert Louis Stevenson:

cousin; he was certainly showing spirit, but what, in such a time of gravity, was all this talk of money? and why should he waste his strength upon a personal issue?

'I find,' said Otto, with his finger on the docket, 'that we have 20,000 crowns in case.'

'That is exact, your Highness,' replied the Baron. 'But our liabilities, all of which are happily not liquid, amount to a far larger sum; and at the present point of time it would be morally impossible to divert a single florin. Essentially, the case is empty. We have, already presented, a large note for material of war.'

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

prey upon the clergy had given rise to an idea in the boy's mind, which had been revolving in a nebulous way within the innermost recesses of his subconscious- ness since his vanquishing of the three knights had brought him, so easily, such riches in the form of horses, arms, armor and gold. As was always his wont in his after life, to think was to act.

"With The Black Wolf dead, and may the devil pull out his eyes with red hot tongs, we might look farther and fare worse, mates, in search of a chief," spoke Red Shandy, eyeing his fellows, "for verily any man, be he


The Outlaw of Torn
The third excerpt represents the future or something you must embrace, and is drawn from The New Machiavelli by H. G. Wells:

reassuring sense of being discussed, and influencing discussion.

5

Our office was at the very top of a big building near the end of Adelphi Terrace; the main window beside my desk, a big undivided window of plate glass, looked out upon Cleopatra's Needle, the corner of the Hotel Cecil, the fine arches of Waterloo Bridge, and the long sweep of south bank with its shot towers and chimneys, past Bankside to the dimly seen piers of the great bridge below the Tower. The dome of St. Paul's just floated into view on the left against the hotel facade. By night and day, in every light and atmosphere, it was a beautiful and various view, alive as a