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Today's Stichomancy for Samuel L. Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Adieu by Honore de Balzac:

She was often, they tell me, barefooted, and scarcely clothed; for months together, she had no care, no food but what she could pick up; sometimes kept in hospitals, sometimes driven away like an animal, God alone knows the horrors that poor unfortunate creature has survived. She was locked up in a madhouse, in a little town in Germany, at the time her relatives, thinking her dead, divided her property. In 1816, the grenadier Fleuriot was at an inn in Strasburg, where she went after making her escape from the madhouse. Several peasants told the grenadier that she had lived for a whole month in the forest, where they had tracked her in vain, trying to catch her, but she had always escaped them. I was then staying a few miles from Strasburg. Hearing

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Jolly Corner by Henry James:

room shuttered and void, and yet so coming, with a great suppressed start, on some quite erect confronting presence, something planted in the middle of the place and facing him through the dusk. After that visit to the house in construction he walked with his companion to see the other and always so much the better one, which in the eastward direction formed one of the corners, - the "jolly" one precisely, of the street now so generally dishonoured and disfigured in its westward reaches, and of the comparatively conservative Avenue. The Avenue still had pretensions, as Miss Staverton said, to decency; the old people had mostly gone, the old names were unknown, and here and there an old association seemed to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Robinson Crusoe by Daniel Defoe:

had carefully covered it first with a wall or fortification, and then with a grove of trees, and as they were now fully convinced their safety consisted entirely in their being concealed, they set to work to cover and conceal the place yet more effectually than before. For this purpose, as I planted trees, or rather thrust in stakes, which in time all grew up to be trees, for some good distance before the entrance into my apartments, they went on in the same manner, and filled up the rest of that whole space of ground from the trees I had set quite down to the side of the creek, where I landed my floats, and even into the very ooze where the tide flowed, not so much as leaving any place to land, or any


Robinson Crusoe
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Prufrock/Other Observations by T. S. Eliot:

You dozed, and watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered against the ceiling. And when all the world came back And the light crept up between the shutters, And you heard the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along the bed’s edge, where You curled the papers from your hair,


Prufrock/Other Observations