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Today's Stichomancy for Sarah Jessica Parker

The first excerpt represents the past or something you must release, and is drawn from The Woodlanders by Thomas Hardy:

the obscurest cellarage of his brain. Another was his interview with Mrs. Charmond's agent that morning, at which the lady herself had been present for a few minutes. Melbury had purchased some standing timber from her a long time before, and now that the date had come for felling it he was left to pursue almost his own course. This was what the household were actually talking of during Giles's cogitation without; and Melbury's satisfaction with the clear atmosphere that had arisen between himself and the deity of the groves which enclosed his residence was the cause of a counterbalancing mistiness on the side towards Winterborne.

"So thoroughly does she trust me," said Melbury, "that I might


The Woodlanders
The second excerpt represents the present or the deciding factor of the moment, and is drawn from War and Peace by Leo Tolstoy:

What horses have you come with? Eh?"

"As your messenger ordered, your special beasts," replied Balaga.

"Well, listen, Balaga! Drive all three to death but get me there in three hours. Eh?"

"When they are dead, what shall I drive?" said Balaga with a wink.

"Mind, I'll smash your face in! Don't make jokes!" cried Anatole, suddenly rolling his eyes.

"Why joke?" said the driver, laughing. "As if I'd grudge my gentlemen anything! As fast as ever the horses can gallop, so fast we'll go!"

"Ah!" said Anatole. "Well, sit down."


War and Peace
The third excerpt represents the future or something you must embrace, and is drawn from The Call of the Canyon by Zane Grey:

dull yellow pall rising high into the sky. It was a duststorm and it was sweeping down on the wings of that gale. Carley remembered that somewhere along this flat there was a log cabin which had before provided shelter for her and Flo when they were caught in a rainstorm. It seemed unlikely that she had passed by this cabin.

Resolutely she faced the gale and knew she had a task to find that refuge. If there had been a big rock or bushy cedar to offer shelter she would have welcomed it. But there was nothing. When the hard dusty gusts hit her, she found it absolutely necessary to shut her eyes. At intervals less windy she opened them, and rode on, peering through the yellow gloom for the cabin. Thus she got her eyes full of dust--an alkali dust that made them sting and


The Call of the Canyon