| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Eryxias by Platonic Imitator: influence in the general tone and phraseology of the Dialogue (compare opos
melesei tis...kaka: oti pas aphron mainetai): and the writer seems to
have been acquainted with the 'Laws' of Plato (compare Laws). An incident
from the Symposium is rather clumsily introduced, and two somewhat
hackneyed quotations (Symp., Gorg.) recur. The reference to the death of
Archelaus as having occurred 'quite lately' is only a fiction, probably
suggested by the Gorgias, where the story of Archelaus is told, and a
similar phrase occurs;--ta gar echthes kai proen gegonota tauta, k.t.l.
There are several passages which are either corrupt or extremely ill-
expressed. But there is a modern interest in the subject of the dialogue;
and it is a good example of a short spurious work, which may be attributed
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Picture of Dorian Gray by Oscar Wilde: and good intentions that always entitles a man to be called
a representative British artist. Did you advertise for it?
You should."
"I forget," said Dorian. "I suppose I did. But I never really liked it.
I am sorry I sat for it. The memory of the thing is hateful to me.
Why do you talk of it? It used to remind me of those curious lines
in some play--Hamlet, I think--how do they run?--Like the painting of
a sorrow,
A face without a heart.
Yes: that is what it was like."
Lord Henry laughed. "If a man treats life artistically,
 The Picture of Dorian Gray |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Westward Ho! by Charles Kingsley: "Years ago I said in this same room, what should I render to the
Lord for having given me two such sons? And in this room I say it
once again. Tell me all about my other son, that I may honor him
as I honor you."
And then, with the iron nerve which good women have, she made him
give her every detail of Lucy Passmore's story and of all which had
happened from the day of their sailing to that luckless night at
Guayra. And when it was done, she led Ayacanora out, and began
busying herself about the girl's comforts, as calmly as if Frank
and Amyas had been sleeping in their cribs in the next room.
But she had hardly gone upstairs, when a loud knock at the door was
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin: which spread to some distance on each side of the touched point,
and persist for several minutes. These are the _cerebral
maculae_ of Trousseau; and they indicate, as Dr. Browne remarks,
a highly modified condition of the cutaneous vascular system.
If, then, there exists, as cannot be doubted, an intimate sympathy
between the capillary circulation in that part of the brain
on which our mental powers depend, and in the skin of the face,
it is not surprising that the moral causes which induce intense
blushing should likewise induce, independently of their own
disturbing influence, much confusion of mind.
[22] See also Dr. J. Crichton Browne's Memoir on this subject
 Expression of Emotion in Man and Animals |