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Today's Stichomancy for Sarah Silverman

The first excerpt represents the past or something you must release, and is drawn from Poor and Proud by Oliver Optic:

Christian revelation. They were not the basis of a cold philosophy; they assured her of the paternal care of God. The thought strengthened and revived her, and when Katy appeared to announce a new trial, she received the intelligence with calmness, and felt more ready than ever before to leave her destiny in the hands of Heaven. For an hour she conversed with Katy on this subject, and succeeded in giving her some new views in relation to the meaning of the words she had so often repeated that afternoon.

The poor girl felt as she had never felt before. Upon her devolved the responsibility of providing for her mother. She had

The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Ideal Husband by Oscar Wilde:

be some secret scandal she might be afraid of.

LORD GORING. [Settling his buttonhole.] Oh, I should fancy Mrs. Cheveley is one of those very modern women of our time who find a new scandal as becoming as a new bonnet, and air them both in the Park every afternoon at five-thirty. I am sure she adores scandals, and that the sorrow of her life at present is that she can't manage to have enough of them.

SIR ROBERT CHILTERN. [Writing.] Why do you say that?

LORD GORING. [Turning round.] Well, she wore far too much rouge last night, and not quite enough clothes. That is always a sign of despair in a woman.

The third excerpt represents the future or something you must embrace, and is drawn from The Communist Manifesto by Karl Marx:

production, by the immensely facilitated means of communication, draws all, even the most barbarian, nations into civilisation. The cheap prices of its commodities are the heavy artillery with which it batters down all Chinese walls, with which it forces the barbarians' intensely obstinate hatred of foreigners to capitulate. It compels all nations, on pain of extinction, to adopt the bourgeois mode of production; it compels them to introduce what it calls civilisation into their midst, i.e., to become bourgeois themselves. In one word, it creates a world after its own image.

The bourgeoisie has subjected the country to the rule of the


The Communist Manifesto