| The first excerpt represents the past or something you must release, and is drawn from The Call of the Canyon by Zane Grey: surroundings even more squalid than the ruined forest. What wretched
abodes! Could it be possible that people had lived in them? She imagined
men had but hardly women and children. Somewhere she had forgotten an idea
that women and children were extremely scarce in the West.
Straggling bits of forest--yellow pines, the driver called the trees--began
to encroach upon the burned-over and arid barren land. To Carley these
groves, by reason of contrast and proof of what once was, only rendered the
landscape more forlorn and dreary. Why had these miles and miles of forest
been cut? By money grubbers, she supposed, the same as were devastating the
Adirondacks. Presently, when the driver had to halt to repair or adjust
something wrong with the harness, Carley was grateful for a respite from
 The Call of the Canyon |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Enoch Arden, &c. by Alfred Tennyson: The mountain wooded to the peak, the lawns
And winding glades high up like ways to Heaven,
The slender coco's drooping crown of plumes,
The lightning flash of insect and of bird,
The lustre of the long convolvuluses
That coil'd around the stately stems, and ran
Ev'n to the limit of the land, the glows
And glories of the broad belt of the world,
All these he saw; but what he fain had seen
He could not see, the kindly human face,
Nor ever hear a kindly voice, but heard
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The third excerpt represents the future or something you must embrace, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw: that marks her sister's flight, the fires of Loki again flame
high round the mountain; and the horn of Siegfried is heard as he
makes his way through them. But the man who now appears wears the
Tarnhelm: his voice is a strange voice: his figure is the unknown
one of the king of the Gibichungs. He tears the ring from her
finger, and, claiming her as his wife, drives her into the cave
without pity for her agony of horror, and sets Nothung between
them in token of his loyalty to the friend he is impersonating.
No explanation of this highway robbery of the ring is offered.
Clearly, this Siegfried is not the Siegfried of the previous
drama.
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