| The first excerpt represents the past or something you must release, and is drawn from Lin McLean by Owen Wister: "I'll bet he has!" growled the cow-puncher; and again Billy was taken
aback at his language.
It was not so simple, this case. To the perturbed mind of Mr. McLean it
grew less simple during that day at Golden, while Billy recovered, and
talked, and ate his innocent meals. The cow-puncher was far too wise to
think for a single moment of restoring the runaway to his debauched and
shiftless parents. Possessed of some imagination, he went through a scene
in which he appeared at the Lusk threshold with Billy and forgiveness,
and intruded upon a conjugal assault and battery. "Shucks!" said he. "The
kid would be off again inside a week. And I don't want him there,
anyway."
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll: It's POSSIBLE," I said,
"He won't be over-pleased to be
Dropped in upon at half-past three,
After he's snug in bed.
"And if Bones plagues him anyhow -
Squeaking and all the rest of it,
As he was doing here just now -
I prophesy there'll be a row,
And Tibbs will have the best of it!"
Then, as my tears could never bring
The friendly Phantom back,
|
The third excerpt represents the future or something you must embrace, and is drawn from The Voice of the City by O. Henry: other. "One day you're eating from china; the
next you are eating in China -- a chop-suey joint.
I've had more than my share of hard luck. For five
years I've been little better than a panhandler. I
was raised up to live expensively and do nothing.
Say -- I don't mind telling you -- I've got to talk
to somebody, you see, because I'm afraid -- I'm
afraid. My name's Ide. You wouldn't think that
old Paulding, one of the millionaires on Riverside
Drive, was my uncle, would you? Well, he is. I
lived in his house once, and had all the money I
 The Voice of the City |