| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Symposium by Plato: purpose of your satyr's praises, for all this long story is only an
ingenious circumlocution, of which the point comes in by the way at the
end; you want to get up a quarrel between me and Agathon, and your notion
is that I ought to love you and nobody else, and that you and you only
ought to love Agathon. But the plot of this Satyric or Silenic drama has
been detected, and you must not allow him, Agathon, to set us at variance.
I believe you are right, said Agathon, and I am disposed to think that his
intention in placing himself between you and me was only to divide us; but
he shall gain nothing by that move; for I will go and lie on the couch next
to you.
Yes, yes, replied Socrates, by all means come here and lie on the couch
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Captain Stormfield by Mark Twain: and so on, till I was about loaded down to the guards. Then comes
a smiling old gentleman and asked me to hold HIS things. I swabbed
off the perspiration and says, pretty tart -
"I'll have to get you to excuse me, my friend, - I ain't no hat-
rack."
About this time I begun to run across piles of those traps, lying
in the road. I just quietly dumped my extra cargo along with them.
I looked around, and, Peters, that whole nation that was following
me were loaded down the same as I'd been. The return crowd had got
them to hold their things a minute, you see. They all dumped their
loads, too, and we went on.
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from New Arabian Nights by Robert Louis Stevenson: truth, I had promised myself to break my fast in the pavilion, and
hunger began to prick me sharply. It was a pity to let the
opportunity go by without some cause for mirth; but the grosser
appetite prevailed, and I relinquished my jest with regret, and
sallied from the wood.
The appearance of the house affected me, as I drew near, with
disquietude. It seemed unchanged since last evening; and I had
expected it, I scarce knew why, to wear some external signs of
habitation. But no: the windows were all closely shuttered, the
chimneys breathed no smoke, and the front door itself was closely
padlocked. Northmour, therefore, had entered by the back; this was
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Louis Lambert by Honore de Balzac: was very great when the question first arose as to whether they should
yield to the plaintiff's unjust demands, or should defend themselves
against him. The matter came under discussion one autumn evening,
before a turf fire in the room used by the tanner and his wife. Two or
three relations were invited to this family council, and among others
Louis' maternal great-grandfather, an old laborer, much bent, but with
a venerable and dignified countenance, bright eyes, and a bald, yellow
head, on which grew a few locks of thin, white hair. Like the Obi of
the Negroes, or the Sagamore of the Indian savages, he was a sort of
oracle, consulted on important occasions. His land was tilled by his
grandchildren, who fed and served him; he predicted rain and fine
Louis Lambert |
