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Today's Stichomancy for Sean Astin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Recruit by Honore de Balzac:

and to the new governmental authorities; trying to make them pleased at obtaining her society, without arousing either hatred or jealousy. Gracious and kind, gifted by nature with that inexpressible charm which can please without having recourse to subserviency or to making overtures, she succeeded in winning general esteem by an exquisite tact; the sensitive warnings of which enabled her to follow the delicate line along which she might satisfy the exactions of this mixed society, without humiliating the touchy pride of the parvenus, or shocking that of her own friends.

Then about thirty-eight years of age, she still preserved, not the fresh plump beauty which distinguishes the daughters of Lower

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

sticks. But the strong-willed old beldam scowled, and beckoned, and flung the energy of her purpose so forcibly at this poor combination of rotten wood, and musty straw, and ragged garments, that it was compelled to show itself a man, in spite of the reality of things. So it stepped into the bar of sunshine. There it stood, poor devil of a contrivance that it was!--with only the thinnest vesture of human similitude about it, through which was evident the stiff, rickety, incongruous, faded, tattered, good-for-nothing patchwork of its substance, ready to sink in a heap upon the floor, as conscious of its own unworthiness to be erect. Shall I confess the truth? At its present point of


Mosses From An Old Manse
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Maitre Cornelius by Honore de Balzac:

"Sire, is it only a royal notion to examine my flour?"

At last she reappeared, bearing one of those stout linen bags which, from time immemorial, have been used in Touraine to carry or bring, to and from market, nuts, fruits, or wheat. The bag was half full of flour. The housekeeper opened it and showed it to the king, on whom she cast the rapid, savage look with which old maids appear to squirt venom upon men.

"It costs six sous the 'septeree,'" she said.

"What does that matter?" said the king. "Spread it on the floor; but be careful to make an even layer of it--as if it had fallen like snow."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

bells rippling up and up to a culmination. She lay unconscious of the wild little cries she uttered at the last. But it was over too soon, too soon, and she could no longer force her own conclusion with her own activity. This was different, different. She could do nothing. She could no longer harden and grip for her own satisfaction upon him. She could only wait, wait and moan in spirit as she felt him withdrawing, withdrawing and contracting, coming to the terrible moment when he would slip out of her and be gone. Whilst all her womb was open and soft, and softly clamouring, like a sea-anemone under the tide, clamouring for him to come in again and make a fulfilment for her. She clung to him unconscious iii passion, and he never quite slipped from


Lady Chatterley's Lover