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Today's Stichomancy for Sean Connery

The first excerpt represents the past or something you must release, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

"No, sir; I am satisfied my good master doesn't think that." So off I started to see him. He had been fearfully nervous, but on seeing me he at once felt much better. He merely wished to know what had become of me.

On returning to my seat, I found the conductor and two or three other persons amusing themselves very much respecting my running away. So the guard said, "Boy, what did your master want?"* I replied, "He merely wished to know what had become of me." "No," said the man, "that was


Running a Thousand Miles for Freedom
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Redheaded Outfield by Zane Grey:

promise you'll never tell.''

``Well, Connie,'' went on Milly, when I had promised, ``it was the funniest thing yet, but it was horrid of McCall. You see, the Rube had upper seven and Nan had lower seven. Early this morning, about daylight, Nan awoke very thirsty and got up to get a drink. During her absence, probably, but any way some time last night, McCall changed the number on her curtain, and when Nan came back to number seven of course she almost got in the wrong


The Redheaded Outfield
The third excerpt represents the future or something you must embrace, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

Siegmund, it is quite certain that we should not have had from Wagner's pen so amusing and vivid a description as we have of his Ottavio in the old Paris days. Wagner was under great obligations to the heroes and heroines of 1876; and he naturally said nothing to disparage their triumphs; but there is no reason to believe that all or indeed any of them satisfied him as Schnorr of Carolsfeld satisfied him as Tristan, or Schroder Devrient as Fidelio. It is just as likely as not that the next Schnorr or Schroder may arise in England. If that should actually happen, neither of them will need any further authority than their own genius and Wagner's scores for their guidance. Certainly the less