The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mysterious Island by Jules Verne: mathematical instruments, 1 mariner's compass, 1 Fahrenheit thermometer, 1
aneroid barometer, 1 box containing a photographic apparatus, object-glass,
plates, chemicals, etc.
Clothes:-2 dozen shirts of a peculiar material resembling wool, but
evidently of a vegetable origin; 3 dozen stockings of the same material.
Utensils:-1 iron pot, 6 copper saucepans, 3 iron dishes, 10 metal plates,
2 kettles, 1 portable stove, 6 table-knives,
Books:-1 Bible, 1 atlas, 1 dictionary of the different Polynesian idioms,
1 dictionary of natural science, in six volumes; 3 reams of white paper, 2
books with blank pages.
"It must be allowed," said the reporter, after the inventory had been
 The Mysterious Island |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from La Grenadiere by Honore de Balzac: thousand francs for six months, the produce of the vineyard not
included. If the tenant wishes for the orchard fruit, the rent is
doubled; for the vintage, it is doubled again. What can La Grenadiere
be worth, you wonder; La Grenadiere, with its stone staircase, its
beaten path and triple terrace, its two acres of vineyard, its
flowering roses about the balustrades, its worn steps, well-head,
rampant clematis, and cosmopolitan trees? It is idle to make a bid! La
Grenadiere will never be in the market; it was brought once and sold,
but that was in 1690; and the owner parted with it for forty thousand
francs, reluctant as any Arab of the desert to relinquish a favorite
horse. Since then it has remained in the same family, its pride, its
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from One Basket by Edna Ferber: They pawed over bolts of cheap lace and bits of stuff in the
stifling air of the crowded place. They would buy a sack of
salted peanuts from the great mound in the glass case, or a bag
of the greasy pink candy piled in profusion on the counter, and
this they would munch as they went.
They came home late, fagged and irritable, and supplemented their
hurried dinner with hastily bought food from the near-by
delicatessen.
Thus ran the life of ease for Ben Westerveld, retired farmer.
And so now he lay impatiently in bed, rubbing a nervous
forefinger over the edge of the sheet and saying to himself that,
 One Basket |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alexandria and her Schools by Charles Kingsley: Alas! the Muses are shy and wild; and though they will haunt, like
skylarks, on the bleakest northern moor as cheerfully as on the sunny
hills of Greece, and rise thence singing into the heaven of heavens, yet
they are hard to tempt into a gilded cage, however amusingly made and
plentifully stored with comforts. Royal societies, associations of
savants, and the like, are good for many things, but not for the
breeding of art and genius: for they are things which cannot be bred.
Such institutions are excellent for physical science, when, as among us
now, physical science is going on the right method: but where, as in
Alexandria, it was going on an utterly wrong method, they stereotype the
errors of the age, and invest them with the prestige of authority, and
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