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Today's Stichomancy for Shakira

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Anthem by Ayn Rand:

to steal through the shadows and fall in line next to International 4-8818, as the column leaves the Theatre. It is dark in the streets and there are no men about, for no men may walk through the City when they have no mission to walk there. Each night, we run to the ravine, and we remove the stones which we have piled upon the iron grill to hide it from the men. Each night, for three hours, we are under the earth, alone.

We have stolen candles from the Home


Anthem
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

artificial love had formed all ready for the needs of his soul, and then he found in that vanity which urges a man to be in all things a victor, strength enough to tame the girl; but, at the same time, urged beyond that line where the soul is mistress over herself, he lost himself in these delicious limboes, which the vulgar call so foolishly "the imaginary regions." He was tender, kind, and confidential. He affected Paquita almost to madness.

"Why should we not go to Sorrento, to Nice, to Chiavari, and pass all our life so? Will you?" he asked of Paquita, in a penetrating voice.

"Was there need to say to me: 'Will you'?" she cried. "Have I a will? I am nothing apart from you, except in so far as I am a pleasure for


The Girl with the Golden Eyes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner:

large letters that a reward would be offered to the finder of a red and green parrot which had escaped from a neighbouring house.

Muller rang the bell and they had to wait some few minutes before the door opened with great creakings, and the towsled head of an old woman peered out.

"What do you want?" she asked hoarsely, with distrustful looks.

"Let us in, and then give us the keys of the upstairs rooms." Muller's voice was friendly, but the woman grew perceptibly paler.

"Who are you?" she stammered. Muller threw back his overcoat and showed her his badge. "But there is nobody here, the house is quite empty."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Buttered Side Down by Edna Ferber:

it's really your fault." Then, just as Mary Louise had almost disappeared down the stairway he put his last astonishing question.

"How often do you wash your hair?" he demanded.

"Well, back home," confessed Mary Louise, "every six weeks or so was enough, but----"

"Not here," put in the rude young man, briskly. "Never. That's all very well for the country, but it won't do in the city. Once a week, at least, and on the roof. Cleanliness demands it."

"But if I'm going back to the country," replied Mary Louise, "it won't be necessary."

"But you're not," calmly said the collarless young man, just


Buttered Side Down