| The first excerpt represents the past or something you must release, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson: was dark, and, to the Samoan imagination, beset with supernatural
terrors. Wherefore, as soon as our household had fallen into a
regular routine, and the bonds of Samoan family life began to draw
us more closely together, Tusitala felt the necessity of including
our retainers in our evening devotions. I suppose ours was the
only white man's family in all Samoa, except those of the
missionaries, where the day naturally ended with this homely,
patriarchal custom. Not only were the religious scruples of the
natives satisfied, but, what we did not foresee, our own
respectability - and incidentally that of our retainers - became
assured, and the influence of Tusitala increased tenfold.
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Twice Told Tales by Nathaniel Hawthorne: Where this green and flowery splendor terminated, the shaft of
the Maypole was stained with the seven brilliant hues of the
banner at its top. On the lowest green bough hung an abundant
wreath of roses, some that had been gathered in the sunniest
spots of the forest, and others, of still richer blush, which the
colonists had reared from English seed. O, people of the Golden
Age, the chief of your husbandry was to raise flowers!
But what was the wild throng that stood hand in hand about the
Maypole? It could not be that the fauns and nymphs, when driven
from their classic groves and homes of ancient fable, had sought
refuge, as all the persecuted did, in the fresh woods of the
 Twice Told Tales |
The third excerpt represents the future or something you must embrace, and is drawn from Tales of Unrest by Joseph Conrad: Would ask his wife." This was her answer. He felt like a blow on his
chest, but said only: "Go, draw me some cider. I am thirsty!"
She went out moaning, an empty jug in her hand. Then he arose, took up
the light, and moved slowly towards the cradle. They slept. He looked
at them sideways, finished his mouthful there, went back heavily, and
sat down before his plate. When his wife returned he never looked up,
but swallowed a couple of spoonfuls noisily, and remarked, in a dull
manner--
"When they sleep they are like other people's children."
She sat down suddenly on a stool near by, and shook with a silent
tempest of sobs, unable to speak. He finished his meal, and remained
 Tales of Unrest |