| The first excerpt represents the past or something you must release, and is drawn from The Light of Western Stars by Zane Grey: incomprehensible cowboys. This particular problem involved
Ambrose Mills, who had eloped with her French maid, Christine.
Stillwell faced Madeline with a smile almost as huge as his bulk.
"Wal, Miss Majesty, we ketched them; but not before Padre Marcos
had married them. All thet speedin' in the autoomoobile was jest
a-scarin' of me to death fer nothin'. I tell you Link Stevens is
crazy about runnin' thet car. Link never hed no sense even with
a hoss. He ain't afraid of the devil hisself. If my hair hedn't
been white it 'd be white now. No more rides in thet thing fer
me! Wal, we ketched Ambrose an' the girl too late. But we
fetched them back, an' they're out there now, spoonin', sure
The Light of Western Stars |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Apology by Xenophon: [48] Cf. "Mem." IV. viii. 9, 10; ib. IV. ii. 3. See Plat. "Rep." v.
476 D, {exomen ti paramutheisthai auton}; and "Hunting," i. 11.
The story of Palamedes is told by Ovid, "Met." xiii. 5.
[49] Cf. Plat. "Apol." 25 D, {poteron eme eisageis deuro os
diaphtheironta tous neous kai poneroterous poiounta ekonta e
akonta}.
Having so said he turned and went in a manner quite in conformity[50]
with the words which he had spoken--so bright an air was discernible
alike in the glance of his eye, his gesture, and his step.
[50] {omologoumenos}. For the use of the word L. Dind. cf. Diog.
Laert. vii. 87, {dioper protos o Zenon en to peri anthropou
The Apology |
The third excerpt represents the future or something you must embrace, and is drawn from The Time Machine by H. G. Wells: such characteristic features of our own English landscape, had
disappeared.
`"Communism," said I to myself.
`And on the heels of that came another thought. I looked at
the half-dozen little figures that were following me. Then, in a
flash, I perceived that all had the same form of costume, the
same soft hairless visage, and the same girlish rotundity of
limb. It may seem strange, perhaps, that I had not noticed this
before. But everything was so strange. Now, I saw the fact
plainly enough. In costume, and in all the differences of
texture and bearing that now mark off the sexes from each other,
The Time Machine |
