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Today's Stichomancy for Shaquille O'Neal

The first excerpt represents the past or something you must release, and is drawn from Walking by Henry David Thoreau:

may prophesy forms of health. The geologist has discovered that the figures of serpents, griffins, flying dragons, and other fanciful embellishments of heraldry, have their prototypes in the forms of fossil species which were extinct before man was created, and hence "indicate a faint and shadowy knowledge of a previous state of organic existence." The Hindus dreamed that the earth rested on an elephant, and the elephant on a tortoise, and the tortoise on a serpent; and though it may be an unimportant coincidence, it will not be out of place here to state, that a fossil tortoise has lately been discovered in Asia large enough to support an elephant. I confess that I am partial to these wild


Walking
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe:

London.

This day the Parliament sent a messenger to their prisoners to know how they fared, and how they were used; who returned word, that they fared indifferent well, and were very civilly used, but that provisions were scarce, and therefore dear.

This day a party of horse, with 300 foot, sallied out, and marched as far as the fort on the Isle of Mersey, which they made a show of attacking, to keep in the garrison. Meanwhile the rest took a good number of cattle from the country, which they brought safe into the town, with five waggons laden with corn. This was the last they could bring in that way, the lines being soon finished on that

The third excerpt represents the future or something you must embrace, and is drawn from Long Odds by H. Rider Haggard:

trophies of his numerous hunting expeditions, and he had some story about every one of them, if only he could be got to tell it. Generally he would not, for he was not very fond of narrating his own adventures, but to-night the port wine made him more communicative.

"Ah, you brute!" he said, stopping beneath an unusually large skull of a lion, which was fixed just over the mantelpiece, beneath a long row of guns, its jaws distended to their utmost width. "Ah, you brute! you have given me a lot of trouble for the last dozen years, and will, I suppose to my dying day."

"Tell us the yarn, Quatermain," said Good. "You have often promised to tell me, and you never have."


Long Odds