Today's Stichomancy for Shaquille O'Neal

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Passion in the Desert by Honore de Balzac:

on his brow. Like men driven to bay, who defy death and offer their body to the smiter, so he, seeing in this merely a tragic episode, resolved to play his part with honor to the last.

"The day before yesterday the Arabs would have killed me, perhaps," he said; so considering himself as good as dead already, he waited bravely, with excited curiosity, the awakening of his enemy.

When the sun appeared, the panther suddenly opened her eyes; then she put out her paws with energy, as if to stretch them and get rid of cramp. At last she yawned, showing the formidable apparatus of her teeth and pointed tongue, rough as a file.

"A regular petite maitresse," thought the Frenchman, seeing her roll

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 1492 by Mary Johntson:

Cipango!''

It is not alone ``great'' men who bring about things in this world. All of us are in a measure great, as all are on the way to greater greatness. Sailors are brave and hardy men; that is said when it is said that they are sailors. In many hearts hung dread of this voyage and rebellion against being forced to it. But they had not to be lashed to the boats; they went with sailors' careless air and dignity. By far the most went thus. Even Fernando ceased his wailing and embarked. The red light, or for danger or for rubies in which still might be danger, washed us all, washed the town,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Domestic Peace by Honore de Balzac:

her countenance inspired in the Countess.

Madame de Lansac was tall, and her features led people to say, "That must have been a handsome woman!" She coated her cheeks so thickly with rouge that the wrinkles were scarcely visible; but her eyes, far from gaining a factitious brilliancy from this strong carmine, looked all the more dim. She wore a vast quantity of diamonds, and dressed with sufficient taste not to make herself ridiculous. Her sharp nose promised epigram. A well-fitted set of teeth preserved a smile of such irony as recalled that of Voltaire. At the same time, the exquisite politeness of her manners so effectually softened the mischievous twist in her mind, that it was impossible to accuse her of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tapestried Chamber by Walter Scott:

since, by the celebrated Miss Seward of Litchfield, who, to her numerous accomplishments, added, in a remarkable degree, the power of narrative in private conversation. In its present form the tale must necessarily lose all the interest which was attached to it by the flexible voice and intelligent features of the gifted narrator. Yet still, read aloud to an undoubting audience by the doubtful light of the closing evening, or in silence by a decaying taper, and amidst the solitude of a half- lighted apartment, it may redeem its character as a good ghost story. Miss Seward always affirmed that she had derived her information from an authentic source, although she suppressed the