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Today's Stichomancy for Shigeru Miyamoto

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Spirit of the Border by Zane Grey:

"You won't go--first?" whispered Dave, clinging to the door.

"I won't go at all. I couldn't ask her--I don't want her--go! Get out!"

Dave started reluctantly toward the adjoining cabin, from the open window of which came the song of the young woman who was responsible for all this trouble. George flung himself on his bed. What a relief to feel it was all over! He lay there with eves shut for hours, as it seemed. After a time Dave came in. George leaped to his feet and saw his friend stumbling over a chair. Somehow, Dave did not look as usual. He seemed changed, or shrunken, and his face wore a discomfited, miserable expression.

"Well?" cried George, sharply. Even to his highly excited imagination this did not seem the proper condition for a victorious lover.


The Spirit of the Border
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Underground City by Jules Verne:

kettles the ideas bubble over, in others they just simmer quietly. Now on this day, James Starr's ideas were boiling fast.

But suddenly an unexpected incident occurred. This was the drop of cold water, which in a moment was to condense all the vapors of the brain. About six in the evening, by the third post, Starr's servant brought him a second letter. This letter was enclosed in a coarse envelope, and evidently directed by a hand unaccustomed to the use of a pen. James Starr tore it open. It contained only a scrap of paper, yellowed by time, and apparently torn out of an old copy book.

On this paper was written a single sentence, thus worded:

"It is useless for the engineer James Starr to trouble himself,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Middlemarch by George Eliot:

independent energy, that with this idea of Will as in need of such help and at a disadvantage with the world, there came always the vision of that unfittingness of any closer relation between them which lay in the opinion of every one connected with her. She felt to the full all the imperativeness of the motives which urged Will's conduct. How could he dream of her defying the barrier that her husband had placed between them?--how could she ever say to herself that she would defy it?

Will's certainty as the carriage grew smaller in the distance, had much more bitterness in it. Very slight matters were enough to gall him in his sensitive mood, and the sight of Dorothea


Middlemarch
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dream Life and Real Life by Olive Schreiner:

into dimples, and all her white teeth shone. The hotel-keeper may have had a daughter, and the farmer in the outskirts had two, but we never saw them. She reigned alone. All the men worshipped her. She was the only woman they had to think of. They talked of her on the stoep, at the market, at the hotel; they watched for her at street corners; they hated the man she bowed to or walked with down the street. They brought flowers to the front door; they offered her their horses; they begged her to marry them when they dared. Partly, there was something noble and heroic in this devotion of men to the best woman they knew; partly there was something natural in it, that these men, shut off from the world, should pour at the feet of one woman the worship that otherwise would have been given to twenty; and