| The first excerpt represents the past or something you must release, and is drawn from The Silverado Squatters by Robert Louis Stevenson: and I, following his example, led him up the plank into our
barrack. There he bestowed himself on a box, and unrolled
his papers with fastidious deliberation. There were two
sheets of note-paper, and an old mining notice, dated May
30th, 1879, part print, part manuscript, and the latter much
obliterated by the rains. It was by this identical piece of
paper that the mine had been held last year. For thirteen
months it had endured the weather and the change of seasons
on a cairn behind the shoulder of the canyon; and it was now
my business, spreading it before me on the table, and sitting
on a valise, to copy its terms, with some necessary changes,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Commission in Lunacy by Honore de Balzac: eyes, and his shambling gait. His life answered to his countenance; it
was full of secret labor, and hid the virtue of a saint. His superior
knowledge of law proved so strong a recommendation at a time when
Napoleon was reorganizing it in 1808 and 1811, that, by the advice of
Cambaceres, he was one of the first men named to sit on the Imperial
High Court of Justice at Paris. Popinot was no schemer. Whenever any
demand was made, any request preferred for an appointment, the
Minister would overlook Popinot, who never set foot in the house of
the High Chancellor or the Chief Justice. From the High Court he was
sent down to the Common Court, and pushed to the lowest rung of the
ladder by active struggling men. There he was appointed supernumerary
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The third excerpt represents the future or something you must embrace, and is drawn from Fairy Tales by Hans Christian Andersen: one is quite crooked! After all, these roses are very ugly! They are just like
the box they are planted in!" And then he gave the box a good kick with his
foot, and pulled both the roses up.
"What are you doing?" cried the little girl; and as he perceived her fright,
he pulled up another rose, got in at the window, and hastened off from dear
little Gerda.
Afterwards, when she brought her picture-book, he asked, "What horrid beasts
have you there?" And if his grandmother told them stories, he always
interrupted her; besides, if he could manage it, he would get behind her, put
on her spectacles, and imitate her way of speaking; he copied all her ways,
and then everybody laughed at him. He was soon able to imitate the gait and
 Fairy Tales |