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Today's Stichomancy for Shigeru Miyamoto

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Seraphita by Honore de Balzac:

beings triumph by their simple presence. Their ears are quick to hear as a faithful dog listening for his master. Brighter than hope, stronger than love, higher than faith, that creature of resignation is the virgin standing on the earth, who holds for a moment the conquered palm, then, rising heavenward, leaves behind her the imprint of her white, pure feet. When she has passed away men flock around and cry, 'See! See!' Sometimes God holds her still in sight,--a figure to whose feet creep Forms and Species of Animality to be shown their way. She wafts the light exhaling from her hair, and they see; she speaks, and they hear. 'A miracle!' they cry. Often she triumphs in the name of God; frightened men deny her and put her to death; smiling, she lays


Seraphita
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Egmont by Johann Wolfgang Von Goethe:

challenged me, and both nations stood by; Spaniards and Netherlanders wagered on either side; I was the victor; his ball missed, mine hit the mark, and the air was rent by acclamations from my friends. His shot now hits me. Tell him that I know this, that I know him, that the world despises every trophy that a paltry spirit erects for itself by base and surreptitious arts. And thou !

If it be possible for a son to swerve from the manners of his father, practise shame betimes, while thou art compelled to feel shame for him whom thou wouldst fain revere with thy whole heart.

Ferdinand. I listen without interrupting thee! Thy reproaches fall like blows upon a helmet. I feel the shock, but I am armed. They strike, they


Egmont
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Unseen World and Other Essays by John Fiske:

grass of the field; and in June, 1770, the Resident at the Durbar affirmed that the living were feeding on the dead. Day and night a torrent of famished and disease-stricken wretches poured into the great cities. At an early period of the year pestilence had broken out. In March we find small-pox at Moorshedabad, where it glided through the vice-regal mutes, and cut off the Prince Syfut in his palace. The streets were blocked up with promiscuous heaps of the dying and dead. Interment could not do its work quick enough; even the dogs and jackals, the public scavengers of the East, became unable to accomplish their revolting work, and the multitude of mangled and festering corpses at length threatened


The Unseen World and Other Essays
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Drama on the Seashore by Honore de Balzac:

thought which will annihilate you. Last evening, at sunset, I had that sensation; and it exhausted me."

"Oh! let us talk, let us talk," she said, after a long pause. "I understand it. No orator was ever more terrible. I think," she continued, presently, "that I perceive the causes of the harmonies which surround us. This landscape, which has but three marked colors, --the brilliant yellow of the sands, the blue of the sky, the even green of the sea,--is grand without being savage; it is immense, yet not a desert; it is monotonous, but it does not weary; it has only three elements, and yet it is varied."

"Women alone know how to render such impressions," I said. "You would