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Today's Stichomancy for Sidney Poitier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

never been fought. No one could tell exactly what was going to happen. And meanwhile I suppose it was very fine to go whirling through the air like a flight of young swallows, swift and easy. I guess the captains tried not to think too clearly what the real thing would be like. And these flying war machines, you know, were only one sort of the endless war contrivances that had been invented and had fallen into abeyance during the long peace. There were all sorts of these things that people were routing out and furbishing up; infernal things, silly things; things that had never been tried; big engines, terrible explosives, great guns. You know the silly way of these ingenious sort of men who make these things;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Maitre Cornelius by Honore de Balzac:

bold endeavors. On All-Saints' eve he had gathered together the learned goldsmiths of his kingdom for the purpose of establishing in France a unity of weights and measures, as he had already established the unity of power. Thus, his vast spirit hovered like an eagle over his empire, joining in a singular manner the prudence of a king to the natural idiosyncracies of a man of lofty aims. At no period in our history has the great figure of Monarchy been finer or more poetic. Amazing assemblages of contrasts! a great power in a feeble body; a spirit unbelieving as to all things here below, devoutly believing in the practices of religion; a man struggling with two powers greater than his own--the present and the future; the future in which he

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shadow out of Time by H. P. Lovecraft:

had already joined to their abodes and begun to inhabit. Then they had sealed the entrances and left them to their fate, afterward occupying most of their great cities and preserving certain important buildings for reasons connected more with superstition than with indifference, boldness, or scientific and historical zeal. But as the aeons passed there came vague, evil signs that the elder things were growing strong and numerous in the inner world. There were sporadic irruptions of a particularly hideous character in certain small and remote cities of the Great Race, and in some


Shadow out of Time
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

covered with a cloth upon the table in the center of the room and left the apartment, he did not return to camp as Norman of Torn had ordered.

Instead he halted immediately without the little door, which he left a trifle ajar, and there he waited, listen- ing to all that passed between Bertrade de Montfort and Norman of Torn.

As he heard the proud daughter of Simon de Mont- fort declare her love for the Devil of Torn a cruel smile curled his lip.

"It will be better than I had hoped," he muttered,


The Outlaw of Torn