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Today's Stichomancy for Sigmund Freud

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

must understand, I have no prejudice myself; I think a good deal of the coloured people, and have always been their friend; but if you stop here we shall lose all our customers, which we can't do no- how." We said we were glad to hear that she had "no prejudice," and was such a staunch friend to the coloured people. We also informed her that we would be sorry for her "customers" to leave on our account; and as it was not our intention to interfere with anyone, it was foolish for them to be frightened away. However, if she would get us a


Running a Thousand Miles for Freedom
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin:

indirectly, true; I shall, however, have to return to this subject in our chapter on Classification. It would be almost superfluous to adduce evidence in support of the above statement, that specific characters are more variable than generic; but I have repeatedly noticed in works on natural history, that when an author has remarked with surprise that some important organ or part, which is generally very constant throughout large groups of species, has differed considerably in closely-allied species, that it has, also, been variable in the individuals of some of the species. And this fact shows that a character, which is generally of generic value, when it sinks in value and becomes only of specific value, often becomes variable, though its physiological importance may remain the same.


On the Origin of Species
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The War in the Air by H. G. Wells:

got inside among the loose articles, and sprawled there helplessly, with his head sometimes bumping one side and sometimes the other. The lid shut upon him with a click. He did not care then what was happening any more. He did not care who fought who, or what bullets were fired or explosions occurred. He did not care if presently he was shot or smashed to pieces. He was full of feeble, inarticulate rage and despair. "Foolery!" he said, his one exhaustive comment on human enterprise, adventure, war, and the chapter of accidents that had entangled him. "Foolery! Ugh!" He included the order of the universe in that comprehensive condemnation. He wished he was dead.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

"we will send for you, but take care not to quit it."

The conference between the husband and wife was conducted so secretly that at first nothing was heard of it. Virginie, however, who had tried to give her sister courage by a variety of gentle remonstrances, carried her good nature so far as to listen at the door of her mother's bedroom where the discussion was held, to catch a word or two. The first time she went down to the lower floor she heard her father exclaim, "Then, madame, do you wish to kill your daughter?"

"My poor dear!" said Virginie, in tears, "papa takes your part."

"And what do they want to do to Theodore?" asked the innocent girl.

Virginie, inquisitive, went down again; but this time she stayed