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Today's Stichomancy for Sigmund Freud

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from From London to Land's End by Daniel Defoe:

as the design included a noble palace (sufficient, like Windsor, for a summer residence of the whole court), it would certainly have diverted the king from his cursory journeys to Newmarket.

The plan of this house has received several alterations, and as it is never like to be finished, it is scarce worth recording the variety. The building is begun, and the front next the city carried up to the roof and covered, but the remainder is not begun. There was a street of houses designed from the gate of the palace down to the town, but it was never begun to be built; the park marked out was exceeding large, near ten miles in circumference, and ended west upon the open Downs, in view of the town of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Georgics by Virgil:

Have borne, he gathers; nor iron rule of laws, Nor maddened Forum have his eyes beheld, Nor archives of the people. Others vex The darksome gulfs of Ocean with their oars, Or rush on steel: they press within the courts And doors of princes; one with havoc falls Upon a city and its hapless hearths, From gems to drink, on Tyrian rugs to lie; This hoards his wealth and broods o'er buried gold; One at the rostra stares in blank amaze; One gaping sits transported by the cheers,


Georgics
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from La Grenadiere by Honore de Balzac:

leads to vast cellars hollowed out in the rock. All about the dwelling trellised vines and pomegranate-trees (the grenadiers, which give the name to the little close) are growing out in the open air. The front of the house consists of two large windows on either side of a very rustic-looking house door, and three dormer windows in the roof--a slate roof with two gables, prodigiously high-pitched in proportion to the low ground-floor. The house walls are washed with yellow color; and door, and first-floor shutters, all the Venetian shutters of the attic windows, all are painted green.

Entering the house, you find yourself in a little lobby with a crooked staircase straight in front of you. It is a crazy wooden structure,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

holds a spell over the minds of the good people, causing them to walk in a continual reverie. They are given to all kinds of marvelous beliefs; are subject to trances and visions, and frequently see strange sights, and hear music and voices in the air. The whole neighborhood abounds with local tales, haunted spots, and twilight superstitions; stars shoot and meteors glare oftener across the valley than in any other part of the country, and the nightmare, with her whole ninefold, seems to make it the favorite scene of her gambols.

The dominant spirit, however, that haunts this enchanted region, and seems to be commander-in-chief of all the powers of


The Legend of Sleepy Hollow