| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Enchanted Island of Yew by L. Frank Baum: "That seems reasonable," answered Marvel, "and I shall be very glad to
have you accompany me. But who will rule the Land of Twi in your absence?"
"The Ki-Ki shall be the rulers," answered the High Ki, "and we will
take the Ki with us."
"Then I will delay my departure until to-morrow morning," said the
prince, "in order that your Highnesses may have time to prepare for
the journey."
And then he went back to the palaces of the other rulers, where the Ki
expressed themselves greatly pleased at the idea of traveling, and the
new Ki-Ki were proud to learn they should rule for some time the Land
of Twi.
 The Enchanted Island of Yew |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Episode Under the Terror by Honore de Balzac: Two straw mats laid upon planks did duty as beds. On the one table,
placed in the middle of the room, stood a brass candlestick, several
plates, three knives, and a round loaf. A small fire burned in the
grate. A few bits of wood in a heap in a corner bore further witness
to the poverty of the recluses. You had only to look at the coating of
paint on the walls to discover the bad condition of the roof, and the
ceiling was a perfect network of brown stains made by rain-water. A
relic, saved no doubt from the wreck of the Abbaye de Chelles, stood
like an ornament on the chimney-piece. Three chairs, two boxes, and a
rickety chest of drawers completed the list of the furniture, but a
door beside the fireplace suggested an inner room beyond.
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Myths and Myth-Makers by John Fiske: its ten simple numerals, and replaced them by brand-new ones;
and on the Amazon you may acquire a fluent command of some
Indian dialect, and then, coming back after twenty years, find
yourself worse off than Rip Van Winkle, and your learning all
antiquated and useless. How absurd, therefore, to suppose that
primeval savages originated a language which has held its own
like the old Aryan and become the prolific mother of the three
or four thousand dialects now in existence! Before a durable
language can arise, there must be an aggregation of numerous
tribes into a people, so that there may be need of
communication on a large scale, and so that tradition may be
 Myths and Myth-Makers |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Frances Waldeaux by Rebecca Davis: girls.
"How did she force him into it? One is almost driven to
believe in hypnotism," she cried.
Lucy Dunbar had no joke to make about it to-day. The
merry little girl was silent, having, she said, a
headache.
"You've had too much cathedral!" said Miss Hassard. "And
the whole church is wretchedly out of drawing!"
Jean Hassard had studied art at Pond City in Dakota, and
her soul's hope had been to follow Marie Bashkirtseff's
career in Paris. But her father had morally handcuffed
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