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Today's Stichomancy for Sigmund Freud

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Inland Voyage by Robert Louis Stevenson:

it lies so far from beaten paths of language, that I despair of getting the reader into sympathy with the smiling, complacent idiocy of my condition; when ideas came and went like motes in a sunbeam; when trees and church spires along the bank surged up, from time to time into my notice, like solid objects through a rolling cloudland; when the rhythmical swish of boat and paddle in the water became a cradle-song to lull my thoughts asleep; when a piece of mud on the deck was sometimes an intolerable eyesore, and sometimes quite a companion for me, and the object of pleased consideration; - and all the time, with the river running and the shores changing upon either hand, I kept counting my strokes and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Animal Farm by George Orwell:

The animals were not badly off throughout that summer, in spite of the hardness of their work. If they had no more food than they had had in Jones's day, at least they did not have less. The advantage of only having to feed themselves, and not having to support five extravagant human beings as well, was so great that it would have taken a lot of failures to outweigh it. And in many ways the animal method of doing things was more efficient and saved labour. Such jobs as weeding, for instance, could be done with a thoroughness impossible to human beings. And again, since no animal now stole, it was unnecessary to fence off pasture from arable land, which saved a lot of labour on the upkeep of hedges and gates. Nevertheless, as the summer wore on, various unforeseen shortages began to


Animal Farm
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Voice of the City by O. Henry:

Carter humored her. He had come to know her varying, thistle-down moods, and that it was useless to combat them. But he felt a certain happy triumph. He had held for a moment, though but by a silken thread, the soul of his wild Psyche, and hope was stronger within him. Once she had folded her wings and her cool band bad closed about his own.

At the Biggest Store the next day Masie's chum, Lulu, waylaid her in an angle of the counter.

"How are you and your swell friend making it? she asked.


The Voice of the City
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Nada the Lily by H. Rider Haggard:

I looked down into the crack--it was very deep, and green with moss, and tall ferns grew about in it, for the damp gathered there. There was nothing else. I had dreamed a lying dream. I turned to go, then found another mind, and climbed down into the cleft, pushing aside the ferns. Beneath the ferns was moss; I scraped it away with the Watcher. Presently the iron of the club struck on something that was yellow and round like a stone, and from the yellow thing came a hollow sound. I lifted it, Umslopogaas; it was the skull of a child.

"I dug deeper and scraped away more moss, till presently I saw. Beneath the moss was nothing but the bones of men--old bones that had lain there many years; the little ones had rotted, the larger ones


Nada the Lily