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Today's Stichomancy for Sigmund Freud

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Octopus by Frank Norris:

country side waked to another day. Crossing the irrigating ditch further on, he met a gang of Portuguese, with picks and shovels over their shoulders, just going to work. Hooven, already abroad, shouted him a "Goot mornun" from behind the fence of Los Muertos. Far off, toward the southwest, in the bare expanse of the open fields, where a clump of eucalyptus and cypress trees set a dark green note, a thin stream of smoke rose straight into the air from the kitchen of Derrick's ranch houses.

But a mile or so beyond the Long Trestle he was surprised to see Magnus Derrick's protege, the one-time shepherd, Vanamee, coming across Quien Sabe, by a trail from one of Annixter's division

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tono Bungay by H. G. Wells:

"Come along!" and having locked up the sanctum after himself, led the way along a narrow dirty pavement, lined with barrows and swept at times by avalanche-like porters bearing burthens to vans, to Farringdon Street. He hailed a passing cab superbly, and the cabman was infinitely respectful. "Schafer's," he said, and off we went side by side--and with me more and more amazed at all these things--to Schafer's Hotel, the second of the two big places with huge lace curtain-covered windows, near the corner of Blackfriars Bridge.

I will confess I felt a magic charm in our relative proportions as the two colossal, pale-blue-and-red liveried porters of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dust by Mr. And Mrs. Haldeman-Julius:

life with him. But, somehow, from the first, even before they were married, when with Martin, such chatter had died unuttered on Rose's tongue. The few remarks which she did venture, nowadays, had the effect of a disconcerting splash before they sank into the gloomy depths of the thick silence. Occasionally, in sheer self defense, she carried on a light monologue, but Martin's lack of interest gave her such an odd, lonely, stage-struck sensation that she, too, became untalkative, keeping to herself the ideas which chased through her ever-active mind. Innately just, she attributed this peculiarity of his to the fact that he had lived so long alone, and while it fretted her, she

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

frames, gave her a sense of intoxication which doubled her alarms. She would perhaps have fainted if an unknown rapture had not surged up in her heart to vivify her whole being, in spite of this chaos of sensations. She nevertheless believed herself to be under the power of the Devil, of whose awful snares she had been warned of by the thundering words of preachers. This moment was to her like a moment of madness. She found herself accompanied to her cousin's carriage by the young man, radiant with joy and love. Augustine, a prey to an agitation new to her experience, an intoxication which seemed to abandon her to nature, listened to the eloquent voice of her heart, and looked again and again at the young painter, betraying the emotion