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Today's Stichomancy for Simon Bolivar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Laches by Plato:

LACHES: How flying?

SOCRATES: Why, as the Scythians are said to fight, flying as well as pursuing; and as Homer says in praise of the horses of Aeneas, that they knew 'how to pursue, and fly quickly hither and thither'; and he passes an encomium on Aeneas himself, as having a knowledge of fear or flight, and calls him 'an author of fear or flight.'

LACHES: Yes, Socrates, and there Homer is right: for he was speaking of chariots, as you were speaking of the Scythian cavalry, who have that way of fighting; but the heavy-armed Greek fights, as I say, remaining in his rank.

SOCRATES: And yet, Laches, you must except the Lacedaemonians at Plataea,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Canyon by Zane Grey:

seemed to her a state of mind where dissatisfied men and women wanted to share what harder working or more gifted people possessed. There were a few who had too much of the world's goods and many who had too little. A readjustment of such inequality and injustice must come, but Carley did not see the remedy in Socialism.

She devoured books on the war with a morbid curiosity and hope that she would find some illuminating truth as to the uselessness of sacrificing young men in the glory and prime of their lives. To her war appeared a matter of human nature rather than politics. Hate really was an effect of war. In her judgment future wars could be avoided only in two ways--by men becoming honest and just or by women refusing to have children to be


The Call of the Canyon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

only one present, beyond the chief actors, who knew the true situation of the contracting parties. He, however, was too inexperienced, too thoughtful, too judicial, too strongly conscious of the serious side of the business, to enter into the scene in its dramatic aspect. That required the special genius of Christopher Coney, Solomon Longways, Buzzford, and their fellows. But they knew nothing of the secret; though, as the time for coming out of church drew on, they gathered on the pavement adjoining, and expounded the subject according to their lights.

"'Tis five-and-forty years since I had my settlement in this


The Mayor of Casterbridge
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ann Veronica by H. G. Wells:

flowers in some old-world garden, our garden--there are splendid places to be got down in Surrey, and a little runabout motor is quite within my means. You know they say, as, indeed, I have just quoted already, that all bad poetry is written in a state of emotion, but I have no doubt that this is true of bad offers of marriage. I have often felt before that it is only when one has nothing to say that one can write easy poetry. Witness Browning. And how can I get into one brief letter the complex accumulated desires of what is now, I find on reference to my diary, nearly sixteen months of letting my mind run on you--ever since that jolly party at Surbiton, where we raced and beat the other boat.