The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Intentions by Oscar Wilde: In criticising the importance given to money in LA COMEDIE HUMAINE,
Theophile Gautier says that Balzac may claim to have invented a new
hero in fiction, LE HEROS METALLIQUE. Of Shakespeare it may be
said he was the first to see the dramatic value of doublets, and
that a climax may depend on a crinoline.
The burning of the Globe Theatre - an event due, by the way, to the
results of the passion for illusion that distinguished
Shakespeare's stage-management - has unfortunately robbed us of
many important documents; but in the inventory, still in existence,
of the costume-wardrobe of a London theatre in Shakespeare's time,
there are mentioned particular costumes for cardinals, shepherds,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Hamlet by William Shakespeare: Guild. Happy, in that we are not ouer-happy: on Fortunes
Cap, we are not the very Button
Ham. Nor the Soales of her Shoo?
Rosin. Neither my Lord
Ham. Then you liue about her waste, or in the middle
of her fauour?
Guil. Faith, her priuates, we
Ham. In the secret parts of Fortune? Oh, most true:
she is a Strumpet. What's the newes?
Rosin. None my Lord; but that the World's growne
honest
 Hamlet |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Kwaidan by Lafcadio Hearn: ascertain whether he had really been deceived. He found the anjitsu without
any difficulty; and, this time, its aged occupant invited him to enter.
When he had done so, the hermit humbly bowed down before him, exclaiming:--
"Ah! I am ashamed ! -- I amvery much ashamed! -- I am exceedingly
ashamed!"
"You need not be ashamed for having refused me shelter," said Muso. "you
directed me to the village yonder, where I was very kindly treated; and I
thank you for that favor.
"I can give no man shelter," the recluse made answer; -- and it is not for
the refusal that I am ashamed. I am ashamed only that you should have seen
me in my real shape,-- for it was I who devoured the corpse and the
 Kwaidan |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Psychology of Revolution by Gustave le Bon: and the most attractive is that of universal suffrage. It gives
the masses the idea of equality, since for a moment at least rich
and poor, learned and ignorant, are equal before the electoral
urn. The minister elbows the least of his servants, and during
this brief moment the power of one is as great as the others.
All Governments, including that of the Revolution, have feared
universal suffrage. At a first glance, indeed, the objections
which suggests themselves are numerous. The idea that the
multitude could usefully choose the men capable of governing,
that individuals of indifferent morality, feeble knowledge, and
narrow minds should possess, by the sole fact of number, a
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