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Today's Stichomancy for Simon Cowell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bureaucracy by Honore de Balzac:

ministers in such a case would disavow their own agents. Nothing was left to an official so placed but to send in his resignation and leave Paris; his honor is permanently stained; explanations are of no avail; no one will either ask for them or listen to them. A minister may well do the same thing and be thought a great man, able to choose the right instruments; but a mere subordinate will be judged as a spy, no matter what may be his motives. While justly measuring the folly of such judgment, Rabourdin knew that it was all-powerful; and he knew, too, that he was crushed. More surprised than overwhelmed, he now sought for the best course to follow under the circumstances; and with such thoughts in his mind he was necessarily aloof from the excitement

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Facino Cane by Honore de Balzac:

watched, just as the dervish in the /Arabian Nights/ could pass into any soul or body after pronouncing a certain formula.

If I met a working man and his wife in the streets between eleven o'clock and midnight on their way home from the Ambigu Comique, I used to amuse myself by following them from the Boulevard du Pont aux Choux to the Boulevard Beaumarchais. The good folk would begin by talking about the play; then from one thing to another they would come to their own affairs, and the mother would walk on and on, heedless of complaints or question from the little one that dragged at her hand, while she and her husband reckoned up the wages to be paid on the morrow, and spent the money in a score of different ways. Then came

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

a far more important teacher than Deluc was at hand; the year 1848, so momentous for Europe, was momentous also for Fleeming's character. The family politics were Liberal; Mrs. Jenkin, generous before all things, was sure to be upon the side of exiles; and in the house of a Paris friend of hers, Mrs. Turner - already known to fame as Shelley's Cornelia de Boinville - Fleeming saw and heard such men as Manin, Gioberti, and the Ruffinis. He was thus prepared to sympathise with revolution; and when the hour came, and he found himself in the midst of stirring and influential events, the lad's whole character was moved. He corresponded at that time with a young Edinburgh friend, one Frank Scott; and I am here going

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

tears anywhere but upon the stage; but I am prepared to deal largely in the opposite commodity. A happy man or woman is a better thing to find than a five-pound note. He or she is a radiating focus of goodwill; and their entrance into a room is as though another candle had been lighted. We need not care whether they could prove the forty-seventh proposition; they do a better thing than that, they practically demonstrate the great Theorem of the Liveableness of Life. Consequently, if a person cannot be happy without remaining idle, idle he should remain. It is a revolutionary precept; but thanks to hunger and the workhouse, one not easily to be abused; and within