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Today's Stichomancy for Simon Cowell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

father, and perhaps hear with less impatience of the governor. Oppression is, in the Abyssinian dominions, neither frequent nor tolerated; but no form of government has been yet discovered by which cruelty can be wholly prevented. Subordination supposes power on one part and subjection on the other; and if power be in the hands of men it will sometimes be abused. The vigilance of the supreme magistrate may do much, but much will still remain undone. He can never know all the crimes that are committed, and can seldom punish all that he knows."

"This," said the Prince, "I do not understand; but I had rather hear thee than dispute. Continue thy narration."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herland by Charlotte Gilman:

Having improved their agriculture to the highest point, and carefully estimated the number of persons who could comfortably live on their square miles; having then limited their population to that number, one would think that was all there was to be done. But they had not thought so. To them the country was a unit--it was theirs. They themselves were a unit, a conscious group; they thought in terms of the community. As such, their time-sense was not limited to the hopes and ambitions of an individual life. Therefore, they habitually considered and carried out plans for improvement which might cover centuries.

I had never seen, had scarcely imagined, human beings


Herland
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ferragus by Honore de Balzac:

resolved to watch it as the ant-lion watches his sandy labyrinth.

"Fouguereau," he said to the porter, "I am not at home to any one who comes to see me. If any one calls to see madame, or brings her anything, ring twice. Bring all letters addressed here to me, no matter for whom they are intended."

"Thus," thought he, as he entered his study, which was in the entresol, "I forestall the schemes of this Ferragus. If he sends some one to ask for me so as to find out if Clemence is alone, at least I shall not be tricked like a fool."

He stood by the window of his study, which looked upon the street, and then a final scheme, inspired by jealousy, came into his mind. He


Ferragus
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Return of the Native by Thomas Hardy:

The expression of her finely carved mouth was pleasant, as if a sense of dignity had just compelled her to leave off speaking. Eternal rigidity had seized upon it in a momentary transition between fervour and resignation. Her black hair was looser now than either of them had ever seen it before, and surrounded her brow like a forest. The stateliness of look which had been almost too marked for a dweller in a country domicile had at last found an artistically happy background.

Nobody spoke, till at length Clym covered her and turned aside. "Now come here," he said.


Return of the Native