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Today's Stichomancy for Simon Cowell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lost Princess of Oz by L. Frank Baum:

Nomes being outside the Land of Oz. He knew, however, that he was likely to be conquered unless he made a fierce fight, so he spread his wings and rose in the air and flew directly toward Dorothy. The Wall of Glass had disappeared the instant Ugu became transformed.

Dorothy had meant to command the Belt to transform the magician into a Dove of Peace, but in her excitement she forgot to say more than "dove," and now Ugu was not a Dove of Peace by any means, but rather a spiteful Dove of War. His size made his sharp beak and claws very dangerous, but Dorothy was not afraid when he came darting toward her with his talons outstretched and his sword-like beak open. She knew the Magic Belt would protect its wearer from harm.


The Lost Princess of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The War in the Air by H. G. Wells:

shall have to lighten ship extensively pretty soon. Unless I'm mistaken, the Prince will wake up presently and start doing things with tremendous vigour.... I've taken a fancy to you. It's the English strain in me. You're a rum little chap. I shan't like seeing you whizz down the air.... You'd better make yourself useful, Smallways. I think I shall requisition you for my squad. You'll have to work, you know, and be infernally intelligent and all that. And you'll have to hang about upside down a bit. Still, it's the best chance you have. We shan't carry passengers much farther this trip, I fancy. Ballast goes over-board--if we don't want to ground precious soon and be taken

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Salammbo by Gustave Flaubert:

man drew back frightened by the sparkling thing which pierced the darkness.

"Hide the zaimph!" said Spendius.

Other people passed them, but without perceiving them.

At last they recognised the houses of Megara.

The pharos, which was built behind them on the summit of the cliff, lit up the heavens with a great red brightness, and the shadow of the palace, with its rising terraces, projected a monstrous pyramid, as it were, upon the gardens. They entered through the hedge of jujube- trees, beating down the branches with blows of the dagger.

The traces of the feast of the Mercenaries were everywhere still


Salammbo
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Touchstone by Edith Wharton:

showed me the originals."

"What does that prove? There were fifty ways of finding out. It's the kind of thing one can easily do."

Flamel glanced at him with contempt. "Our ideas probably differ as to what a man can easily do. It would not have been easy for me."

Glennard's anger vented itself in the words uppermost in his thought. "It may, then, interest you to hear that my wife DOES know about the letters--has known for some months. . . ."

"Ah," said the other, slowly. Glennard saw that, in his blind clutch at a weapon, he had seized the one most apt to wound.