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Today's Stichomancy for Simon Cowell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On Horsemanship by Xenophon:

drop the mouthpiece. It is possible to make the rough bit of every degree of roughness by keeping it slack or taut.

[4] See Morgan, op. cit. p. 144 foll.

But, whatever the type of bit may be, let it in any case be flexible. If it be stiff, at whatever point the horse seizes it he must take it up bodily against his jaws; just as it does not matter at what point a man takes hold of a bar of iron,[5] he lifts it as a whole. The other flexibly constructed type acts like a chain (only the single point at which you hold it remains stiff, the rest hangs loose); and while perpetually hunting for the portion which escapes him, he lets the mouthpiece go from his bars.[6] For this reason the rings are hung in


On Horsemanship
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Finished by H. Rider Haggard:

before. For was he not the prophet who by producing the Princess of Heaven, the traditional goddess of the Zulus, before the eyes of the king and Council, had caused them to decide for war? And supposing it were so much as breathed that this spirit which they seemed to see, had been but a trick and a fraud, what then? He would be tortured to death if his dupes had time, or torn limb from limb if they had not, that is if he could die like other men--a matter as to which personally I had no doubts.

Shortly after I left Zikali Heda and I ate our evening meal together. Anscombe, as it chanced, had gone by the secret path to the tableland of which I have spoken, where he amused himself,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Main Street by Sinclair Lewis:

had been slim and light-footed, should have to lean on a stick, and be heartily commented upon by street gossips. She was encircled by greasy eyes. Every matron hinted, "Now that you're going to be a mother, dearie, you'll get over all these ideas of yours and settle down." She felt that willy-nilly she was being initiated into the assembly of housekeepers; with the baby for hostage, she would never escape; presently she would be drinking coffee and rocking and talking about diapers.

"I could stand fighting them. I'm used to that. But this being taken in, being taken as a matter of course, I can't

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

A slight movement must have dispatched me; a sweep of the fearful weapon, I doubt not, would have severed my head from my body.

"Smith!" I whispered hoarsely, "don't look around. For God's sake keep him covered. But a dacoit has his knife at my throat!"

Then, for the first time, Smith's hand trembled. But his glance never wavered from the malignant, emotionless countenance of Dr. Fu-Manchu. He clenched his teeth hard, so that the muscles stood out prominently upon his jaw.

I suppose that silence which followed my awful discovery prevailed but a few seconds. To me those seconds were each a lingering death.

There, below, in that groaning hulk, I knew more of icy terror


The Insidious Dr. Fu-Manchu