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Today's Stichomancy for Snoop Dogg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

evil. But when the second stage set in, in which man became preponderantly SELF-conscious, he inevitably set about deflecting sex-activities to his own private pleasure and advantage; he employed his budding intellect in scheming the derailment of passion and desire from tribal needs and, Nature's uses to the poor details of his own gratification. If the first stage of harmonious sex-instinct and activity may be held as characteristic of the Golden Age, the second stage must be taken to represent the Fall of man and his expulsion from Paradise in the Garden of Eden story. The pleasure and glory of Sex having been


Pagan and Christian Creeds
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mansfield Park by Jane Austen:

means of forwarding it. Accordingly, on this principle, Sir Thomas took the first opportunity of saying to her, with a mild gravity, intended to be overcoming, "Well, Fanny, I have seen Mr. Crawford again, and learn from him exactly how matters stand between you. He is a most extraordinary young man, and whatever be the event, you must feel that you have created an attachment of no common character; though, young as you are, and little acquainted with the transient, varying, unsteady nature of love, as it generally exists, you cannot be struck as I am with all that is wonderful in a perseverance


Mansfield Park
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Hidden Masterpiece by Honore de Balzac:

point; sea-green eyes, faded perhaps by age, but whose pupils, contrasting with the pearl-white balls on which they floated, cast at times magnetic glances of anger or enthusiasm. The face in other respects was singularly withered and worn by the weariness of old age, and still more, it would seem, by the action of thoughts which had undermined both soul and body. The eyes had lost their lashes, and the eyebrows were scarcely traced along the projecting arches where they belonged. Imagine such a head upon a lean and feeble body, surround it with lace of dazzling whiteness worked in meshes like a fish-slice, festoon the black velvet doublet of the old man with a heavy gold chain, and you will have a faint idea of the exterior of this strange

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cratylus by Plato:

SOCRATES: Well, but reflect; have we not several times acknowledged that names rightly given are the likenesses and images of the things which they name?

CRATYLUS: Yes.

SOCRATES: Let us suppose that to any extent you please you can learn things through the medium of names, and suppose also that you can learn them from the things themselves--which is likely to be the nobler and clearer way; to learn of the image, whether the image and the truth of which the image is the expression have been rightly conceived, or to learn of the truth whether the truth and the image of it have been duly executed?

CRATYLUS: I should say that we must learn of the truth.