| The first excerpt represents the past or something you must release, and is drawn from The Rape of Lucrece by William Shakespeare: 'The aged man that coffers up his gold
Is plagued with cramps, and gouts, and painful fits;
And scarce hath eyes his treasure to behold,
But like still-pining Tantalus he sits,
And useless barns the harvest of his wits;
Having no other pleasure of his gain
But torment that it cannot cure his pain.
'So then he hath it when he cannot use it,
And leaves it to be master'd by his young;
Who in their pride do presently abuse it:
Their father was too weak, and they too strong,
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from House of Seven Gables by Nathaniel Hawthorne: additional coin in the miser's strong-box, nor was the scholar a
page deeper in his book. All were precisely in the same condition
as before they made themselves so ridiculous by their haste to toil,
to enjoy, to accumulate gold, and to become wise. Saddest of all,
moreover, the lover was none the happier for the maiden's granted
kiss! But, rather than swallow this last too acrid ingredient,
we reject the whole moral of the show.
The monkey, meanwhile, with a thick tail curling out into
preposterous prolixity from beneath his tartans, took his station
at the Italian's feet. He turned a wrinkled and abominable little
visage to every passer-by, and to the circle of children that soon
 House of Seven Gables |
The third excerpt represents the future or something you must embrace, and is drawn from Rivers to the Sea by Sara Teasdale: VIGNETTES OVERSEAS
PART V
SAPPHO
I
RIVERS TO THE SEA
SPRING NIGHT
THE park is filled with night and fog,
The veils are drawn about the world,
The drowsy lights along the paths
Are dim and pearled.
Gold and gleaming the empty streets,
|