| The first excerpt represents the past or something you must release, and is drawn from Animal Farm by George Orwell: the evening after work was over, as though nothing had happened. But she
always made such excellent excuses, and purred so affectionately, that it
was impossible not to believe in her good intentions. Old Benjamin, the
donkey, seemed quite unchanged since the Rebellion. He did his work in the
same slow obstinate way as he had done it in Jones's time, never shirking
and never volunteering for extra work either. About the Rebellion and its
results he would express no opinion. When asked whether he was not happier
now that Jones was gone, he would say only "Donkeys live a long time. None
of you has ever seen a dead donkey," and the others had to be content with
this cryptic answer.
On Sundays there was no work. Breakfast was an hour later than usual, and
 Animal Farm |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Aspern Papers by Henry James: and her look of forgiveness, of absolution, made her angelic.
It beautified her; she was younger; she was not a ridiculous old woman.
This optical trick gave her a sort of phantasmagoric brightness,
and while I was still the victim of it I heard a whisper somewhere
in the depths of my conscience: "Why not, after all--why not?"
It seemed to me I was ready to pay the price. Still more distinctly
however than the whisper I heard Miss Tita's own voice. I was so struck
with the different effect she made upon me that at first I was not clearly
aware of what she was saying; then I perceived she had bade me goodbye--
she said something about hoping I should be very happy.
"Goodbye--goodbye?" I repeated with an inflection interrogative
|
The third excerpt represents the future or something you must embrace, and is drawn from Emma McChesney & Co. by Edna Ferber: the first annual exhibition of the Society for the Promotion of
American Styles for American Women. For one hundred years we've
taken our fashions as Paris dictated, regardless of whether they
outraged our sense of humor or decency or of fitness. This year
the American designer is going to have a chance. Am I an
American designer, T. A., Billy?"
"Yes!" in chorus.
"Then I shall exhibit that skirt on a live model at the First
Annual American Fashion Show next month. Every skirt-buyer in
the country will be there. If it takes hold there, it's
made--and so are we."
 Emma McChesney & Co. |