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Today's Stichomancy for Soren Kierkegaard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Allan Quatermain by H. Rider Haggard:

proceeded to sit in judgment on him, Sir Henry explaining to him in the very best French the unheard-of cowardice and enormity of his conduct, more especially in letting the oiled rag out of his mouth, whereby he nearly aroused the Masai camp with teeth-chattering and brought about the failure of our plans: ending up with a request for an explanation.

But if we expected to find Alphonse at a loss and put him to open shame we were destined to be disappointed. He bowed and scraped and smiled, and acknowledged that his conduct might at first blush appear strange, but really it was not, inasmuch as his teeth were not chattering from fear -- oh, dear no! oh, certainly


Allan Quatermain
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Animal Farm by George Orwell:

were after him. Too amazed and frightened to speak, all the animals crowded through the door to watch the chase. Snowball was racing across the long pasture that led to the road. He was running as only a pig can run, but the dogs were close on his heels. Suddenly he slipped and it seemed certain that they had him. Then he was up again, running faster than ever, then the dogs were gaining on him again. One of them all but closed his jaws on Snowball's tail, but Snowball whisked it free just in time. Then he put on an extra spurt and, with a few inches to spare, slipped through a hole in the hedge and was seen no more.

Silent and terrified, the animals crept back into the barn. In a moment the dogs came bounding back. At first no one had been able to imagine


Animal Farm
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Woman and Labour by Olive Schreiner:

woman is higher among the lowest and most ignorant classes in the back slums of our great cities, than among the women of the upper and cultured classes, mainly because the age at which marriages are contracted always tends to become higher as the culture and intelligence of individuals rises, but also because of the regulation of the number of births after marriage. Yet the number of children reared to adult years among the more intelligent classes probably equals or exceeds those of the lowest, owing to the high rate of infant mortality where births are excessive.)

Looking round, then, with the uttermost impartiality we can command, on the entire field of woman's ancient and traditional labours, we find that fully three-fourths of it have shrunk away for ever, and that the remaining

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Cruise of the Jasper B. by Don Marquis:

old Cap'n himself was no coward. Indeed, in owning to his alarm he had really done a brave thing, since few have the moral courage to proclaim themselves afraid. But Cleggett was a man of iron. Although the tempest smote the hulk with blow after blow, although both earth and water seemed to lie prostrate and trampled beneath its unappeasable fury, Cleggett had no thought of yielding.

Unconsciously he drew himself up. It seemed to his crew that he actually gained in girth and height. The soul, in certain great moments, seems to have power to expand the body and inform it with the quality of immortality; Ajax, in his magnificent gesture