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Today's Stichomancy for Spike Lee

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

name, the only name by which I knew him. The old man was perfectly blank--he knew not of whom I spoke, as he had not seen his son since he got his school name. Finally, as it began to dawn on him that I was talking of his son, he asked: "Whom are you talking about?" "Your son." "Oh, you mean 'Have a Man.' "

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

foresaw. As for coquetting, quibbling, resisting, she never once thought of it. She was thinking of something very different!--of the grandeur of men of genius, and the certainty which her heart divined that they would never subject the woman they chose to ordinary laws.

Here begins one of those unseen comedies, played in the secret regions of the consciousness between two beings of whom one will be the dupe of the other, though it keeps on this side of wickedness; one of those dark and comic dramas to which that of Tartuffe is mere child's play, --dramas that do not enter the scenic domain, although they are natural, conceivable, and even justifiable by necessity; dramas which may be characterized as not vice, only the other side of it.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On the Origin of Species by Charles Darwin:

sometimes affect softer and internal parts. When one part is largely developed, perhaps it tends to draw nourishment from the adjoining parts; and every part of the structure which can be saved without detriment to the individual, will be saved. Changes of structure at an early age will generally affect parts subsequently developed; and there are very many other correlations of growth, the nature of which we are utterly unable to understand. Multiple parts are variable in number and in structure, perhaps arising from such parts not having been closely specialised to any particular function, so that their modifications have not been closely checked by natural selection. It is probably from this same cause that organic beings low in the scale of nature are more variable than those


On the Origin of Species
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fables by Robert Louis Stevenson:

and night closed upon him, and the waters, and the meshes of the net; and he wallowed there like a fish.

"A body would think there was something in this," said the missionary. "But if these tales are true, I wonder what about my tales!"

Now the flaming of Akaanga's torch drew near in the night; and the misshapen hands groped in the meshes of the net; and they took the missionary between the finger and the thumb, and bore him dripping in the night and silence to the place of the ovens of Miru. And there was Miru, ruddy in the glow of the ovens; and there sat her four daughters, and made the kava of the dead; and there sat the