| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Aspern Papers by Henry James: fell upon her ear as a proof. "Are you going today?" she asked.
"But it doesn't matter, for whenever you go I shall not see you again.
I don't want to." And she smiled strangely, with an infinite gentleness.
She had never doubted that I had left her the day before in horror.
How could she, since I had not come back before night to contradict,
even as a simple form, such an idea? And now she had the force of soul--
Miss Tita with force of soul was a new conception--to smile at me
in her humiliation.
"What shall you do--where shall you go?" I asked.
"Oh, I don't know. I have done the great thing.
I have destroyed the papers."
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Prince by Nicolo Machiavelli: be steadfast in his resolutions. He who does otherwise is either
overthrown by flatterers, or is so often changed by varying opinions
that he falls into contempt.
I wish on this subject to adduce a modern example. Fra Luca, the man
of affairs to Maximilian,[*] the present emperor, speaking of his
majesty, said: He consulted with no one, yet never got his own way in
anything. This arose because of his following a practice the opposite
to the above; for the emperor is a secretive man--he does not
communicate his designs to any one, nor does he receive opinions on
them. But as in carrying them into effect they become revealed and
known, they are at once obstructed by those men whom he has around
 The Prince |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Vicar of Tours by Honore de Balzac: trunk. When he eyes fell on these few remnants of his possessions the
unhappy priest sat down and hid his face in his hands to conceal his
tears from the sight of others. The Abbe Poirel was canon! He,
Birotteau, had neither home, nor means, nor furniture!
Fortunately Mademoiselle Salomon happened to drive past the house, and
the porter, who saw and comprehended the despair of the poor abbe,
made a sign to the coachman. After exchanging a few words with
Mademoiselle Salomon the porter persuaded the vicar to let himself be
placed, half dead as he was, in the carriage of his faithful friend,
to whom he was unable to speak connectedly. Mademoiselle Salomon,
alarmed at the momentary derangement of a head that was always feeble,
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis: There was another light by which the world was seen that day,
rarer than the sunshine, and purer. It fell on the dense
crowds,--upon the just and the unjust. It went into the fogs of
the fetid dens from which the coarser light was barred, into the
deepest mires of body where a soul could wallow, and made them
clear. It lighted the depths of the hearts whose outer pain and
passion men were keen to read in the unpitying sunshine, and
bared in those depths the feeble gropings for the right, the
loving hope, the unuttered prayer. No kind thought, no pure
desire, no weakest faith in a God and heaven somewhere, could be
so smothered under guilt that this subtile light did not search
 Margret Howth: A Story of To-day |