Today's Stichomancy for Stanley Kubrick

soon. She's awfully prim and proper and she'll scold dreadfully about this, I know. Well, we'll have to sleep with Minnie May--and you can't think how she kicks."

Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls.

"Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn't disturb your aunt, Diana."

Diana preserved a discreet silence, but she and Anne exchanged

Anne of Green Gables

course of running water. If it had not been for the main stream of water flowing north he would never have been able to tell which of those many openings was a continuation of the pass. In crossing this amphitheater he went by the mouths of five canyons, fording little streams that flowed into the larger one. Gaining the outlet which he took to be the pass, he rode on again under over hanging walls. One side was dark in shade, the other light in sun. This narrow passageway turned and twisted and opened into a valley that amazed Venters.

Here again was a sweep of purple sage, richer than upon the higher levels. The valley was miles long, several wide, and

Riders of the Purple Sage

prejudices, his own absurd ideas of what Art should be, or should not be, the more likely he is to understand and appreciate the work of art in question. This is, of course, quite obvious in the case of the vulgar theatre-going public of English men and women. But it is equally true of what are called educated people. For an educated person's ideas of Art are drawn naturally from what Art has been, whereas the new work of art is beautiful by being what Art has never been; and to measure it by the standard of the past is to measure it by a standard on the rejection of which its real perfection depends. A temperament capable of receiving, through an imaginative medium, and under imaginative conditions, new and

the distant view of Edinburgh which has been engraved for this collection; and you have only to look at the etching, * to see how near it is at hand. But hills and hill people are not easily sophisticated; and if you walk out here on a summer Sunday, it is as like as not the shepherd may set his dogs upon you. But keep an unmoved countenance; they look formidable at the charge, but their hearts are in the right place, and they will only bark and sprawl about you on the grass, unmindful of their master's excitations.

* One of the illustrations of the First Edition.