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Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Songs of Innocence and Experience by William Blake:

As I guard o'er the fold.'

SPRING

Sound the flute! Now it's mute! Birds delight, Day and night, Nightingale, In the dale, Lark in sky, - Merrily, Merrily, merrily to welcome in the year.


Songs of Innocence and Experience
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Master of the World by Jules Verne:

speed which could possibly be assigned to the new boat, the article demonstrated that if the United States secured this secret, Europe would be but three days away from her, while she would still be five days from Europe.

If our own police had searched diligently to discover the mystery of the Great Eyrie, the secret service of every country in the world was now interested in these new problems.

Mr. Ward referred to the matter each time I saw him. Our chat would begin by his rallying me about my ill-success in Carolina, and I would respond by reminding him that success there was only a question of expense.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Through the Looking-Glass by Lewis Carroll:

you don't hold your tongues, I'll pick you!'

There was silence in a moment, and several of the pink daisies turned white.

`That's right!' said the Tiger-lily. `The daisies are worst of all. When one speaks, they all begin together, and it's enough to make one wither to hear the way they go on!'

`How is it you can all talk so nicely?' Alice said, hoping to get it into a better temper by a compliment. `I've been in many gardens before, but none of the flowers could talk.'

`Put your hand down, and feel the ground,' said the Tiger-lily. `Then you'll know why.


Through the Looking-Glass
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Jude the Obscure by Thomas Hardy:

am glad you have come!"

She wore a murrey-coloured gown with a little lace collar. It was made quite plain, and hung about her slight figure with clinging gracefulness. Her hair, which formerly she had worn according to the custom of the day was now twisted up tightly, and she had altogether the air of a woman clipped and pruned by severe discipline, an under-brightness shining through from the depths which that discipline had not yet been able to reach.

She had come forward prettily, but Jude felt that she had hardly expected him to kiss her, as he was burning to do,


Jude the Obscure