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Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Susan by Jane Austen:

effectual manner of plaguing us all. He had heard, I imagine, by some means or other, that you were soon to be in London, and immediately contrived to have such an attack of the gout as must at least delay his journey to Bath, if not wholly prevent it. I am persuaded the gout is brought on or kept off at pleasure; it was the same when I wanted to join the Hamiltons to the Lakes; and three years ago, when I had a fancy for Bath, nothing could induce him to have a gouty symptom.

I am pleased to find that my letter had so much effect on you, and that De Courcy is certainly your own. Let me hear from you as soon as you arrive, and in particular tell me what you mean to do with Mainwaring. It is impossible to say when I shall be able to come to you; my confinement


Lady Susan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Charmides by Plato:

be wise or temperate, but not know his own wisdom or temperance?

But that, Socrates, he said, is impossible; and therefore if this is, as you imply, the necessary consequence of any of my previous admissions, I will withdraw them, rather than admit that a man can be temperate or wise who does not know himself; and I am not ashamed to confess that I was in error. For self-knowledge would certainly be maintained by me to be the very essence of knowledge, and in this I agree with him who dedicated the inscription, 'Know thyself!' at Delphi. That word, if I am not mistaken, is put there as a sort of salutation which the god addresses to those who enter the temple; as much as to say that the ordinary salutation of 'Hail!' is not right, and that the exhortation 'Be temperate!' would be a far

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Cratylus by Plato:

power over us. But these and other subtleties of language escaped the observation of Plato. He is not aware that the languages of the world are organic structures, and that every word in them is related to every other; nor does he conceive of language as the joint work of the speaker and the hearer, requiring in man a faculty not only of expressing his thoughts but of understanding those of others.

On the other hand, he cannot be justly charged with a desire to frame language on artificial principles. Philosophers have sometimes dreamed of a technical or scientific language, in words which should have fixed meanings, and stand in the same relation to one another as the substances which they denote. But there is no more trace of this in Plato than there

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Sentimental Journey by Laurence Sterne:

bow), is to desire he will not.

The Count heard me with great good nature, or I had not said half as much, - and once or twice said, - C'EST BIEN DIT. So I rested my cause there - and determined to say no more about it.

The Count led the discourse: we talk'd of indifferent things, - of books, and politics, and men; - and then of women. - God bless them all! said I, after much discourse about them - there is not a man upon earth who loves them so much as I do: after all the foibles I have seen, and all the satires I have read against them, still I love them; being firmly persuaded that a man, who has not a sort of affection for the whole sex, is incapable of ever loving a single