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Today's Stichomancy for Stephen Colbert

The first excerpt represents the past or something you must release, and is drawn from War and the Future by H. G. Wells:

formation, and field guns, whereas cavalry is entirely obsolete, infantry no longer fights in formation, and the methods of gunnery have been entirely changed. The military man I observe still runs about the world in spurs, he travels in trains in spurs, he walks in spurs, he thinks in terms of spurs. He has still to discover that it is about as ridiculous as if he were to carry a crossbow. I take it these spurs are only the outward and visible sign of an inward obsolescence. The disposition of the military "expert" is still to think too little of machinery and to demand too much of the men. Behind our front at the time of my visit there were, for example, many thousands of cavalry, men

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Coxon Fund by Henry James:

Adelaide Mulville, perplexed by my absence, wrote to me to ask why I WAS so stiff. At that season of the year I was usually oftener "with" them. She also wrote that she feared a real estrangement had set in between Mr. Gravener and her sweet young friend--a state of things but half satisfactory to her so long as the advantage resulting to Mr. Saltram failed to disengage itself from the merely nebulous state. She intimated that her sweet young friend was, if anything, a trifle too reserved; she also intimated that there might now be an opening for another clever young man. There never was the slightest opening, I may here parenthesise, and of course the question can't come up to-day. These are old frustrations now.

The third excerpt represents the future or something you must embrace, and is drawn from Several Works by Edgar Allan Poe:

especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress and termination of the disease, were the incidents of half an hour.

But the Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys. This was an extensive and magnificent structure, the creation of the prince's own eccentric yet august taste. A strong and lofty wall girdled it in.