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Today's Stichomancy for Steve Jobs

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

stood on both sides of the road and each had a green lawn before it as well as a pretty flower garden.

"In another hour," said the Shaggy Man, "we shall come in sight of the walls of the Royal City."

He was walking ahead, with Scraps, and behind them came the Woozy and the Glass Cat. Ojo had lagged behind, for in spite of the warnings he had received the boy's eyes were fastened on the clover that bordered the road of yellow bricks and


The Patchwork Girl of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

or put in cut glass fixtures and handpainted china, Hugo Luders would serve an injunction on 'em. Next!"

"Who's the woman with the leathery complexion and the belt to match, and the untidy hair and the big feet? I like her face. And why does she sit at a table with all those strange-looking men? And who are all the men? And who is the fur-lined grand opera tenor just coming in-- Oh!"

Blackie glanced over his shoulder just as the tall man in the doorway turned his face toward us. "That? Why, girl, that's Von Gerhard, the man who gives me one

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great God Pan by Arthur Machen:

"But you remember what you wrote to me? I thought it would be requisite that she--"

He whispered the rest into the doctor's ear.

"Not at all, not at all. That is nonsense. I assure you. Indeed, it is better as it is; I am quite certain of that."

"Consider the matter well, Raymond. It's a great responsibility. Something might go wrong; you would be a miserable man for the rest of your days."

"No, I think not, even if the worst happened. As you know, I rescued Mary from the gutter, and from almost certain


The Great God Pan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

for instance, of Abraham sacrificing the ram, or of the Siberian angakout slaughtering a totem-bear, or of a modern and pious Christian contemplating the Saviour on the Cross are really almost exactly the same. I mention this because in tracing the origins or the evolution of religions it is important to distinguish clearly what is essential and universal from that which is merely local and temporary. Some people, no doubt, would be shocked at the comparisons just made; but surely it is much more inspiriting and encouraging to think that whatever progress HAS been made in the religious outlook of the world has come about


Pagan and Christian Creeds