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Today's Stichomancy for Steve McQueen

The first excerpt represents the past or something you must release, and is drawn from The Works of Samuel Johnson by Samuel Johnson:

his dejection, and partly in approbation of his spirit, relieved him from his perplexity by paying the damages privately, and discouraging all animadversion and reproof.

This indulgence could not wholly preserve him from the remembrance of his disgrace, nor at once restore his confidence and elation. He was for three days silent, modest, and compliant, and thought himself neither too wise for instruction, nor too manly for restraint. But his levity overcame this salutary sorrow; he began to talk with his former

The second excerpt represents the present or the deciding factor of the moment, and is drawn from De Profundis by Oscar Wilde:

according to his mood. More than any one else in history he wakes in us that temper of wonder to which romance always appeals. There is still something to me almost incredible in the idea of a young Galilean peasant imagining that he could bear on his own shoulders the burden of the entire world; all that had already been done and suffered, and all that was yet to be done and suffered: the sins of Nero, of Caesar Borgia, of Alexander VI., and of him who was Emperor of Rome and Priest of the Sun: the sufferings of those whose names are legion and whose dwelling is among the tombs: oppressed nationalities, factory children, thieves, people in prison, outcasts, those who are dumb under oppression and whose

The third excerpt represents the future or something you must embrace, and is drawn from Cousin Betty by Honore de Balzac:

cold, hard floor, of common tiles reddened with encaustic, was not felt through a soft thick carpet. The furniture consisted of two pretty chairs and a bed in an alcove, just now half hidden by a table loaded with the remains of an elegant dinner, while two bottles with long necks and an empty champagne-bottle in ice strewed the field of bacchus cultivated by Venus.

There were also--the property, no doubt, of Valerie--a low easy-chair and a man's smoking-chair, and a pretty toilet chest of drawers in rosewood, the mirror handsomely framed /a la/ Pompadour. A lamp hanging from the ceiling gave a subdued light, increased by wax candles on the table and on the chimney-shelf.