The first excerpt represents the past or something you must release, and is drawn from The Foolish Virgin by Thomas Dixon: glory of the sunrise was at its height. She loved to
watch the changing lights and shadows in sky and valley
and on distant mountain peaks as the light slowly
filtered over the eastern hills.
She had recovered from the depression of the last
days of their camp. The journey back into the world
had improved Jim's manners. There could be no doubt
about his ambitions. His determination to be a
millionaire was the lever she now meant to work in
raising his social aspirations.
Why should she feel depressed?
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from De Profundis by Oscar Wilde: where on an altar, on which no taper burned, a priest, in whose
heart peace had no dwelling, might celebrate with unblessed bread
and a chalice empty of wine. Every thing to be true must become a
religion. And agnosticism should have its ritual no less than
faith. It has sown its martyrs, it should reap its saints, and
praise God daily for having hidden Himself from man. But whether
it be faith or agnosticism, it must be nothing external to me. Its
symbols must be of my own creating. Only that is spiritual which
makes its own form. If I may not find its secret within myself, I
shall never find it: if I have not got it already, it will never
come to me.
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The third excerpt represents the future or something you must embrace, and is drawn from Love Songs by Sara Teasdale: Life will have given me the Truth,
And taken in exchange -- my youth.
V. In a Burying Ground
This is the spot where I will lie
When life has had enough of me,
These are the grasses that will blow
Above me like a living sea.
These gay old lilies will not shrink
To draw their life from death of mine,
And I will give my body's fire
To make blue flowers on this vine.
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