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Today's Stichomancy for Steven Spielberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mountains by Stewart Edward White:

and lay on my back staring up through the trees. It was not my day to cook. We were camped at the time only about sixty-five hundred feet high, and the weather was warm. Every sort of green thing grew very lush all about us, but our own little space was held dry and clear for us by the needles of two enormous red cedars some four feet in diameter. A variety of thoughts sifted through my mind as it followed lazily the shimmering filaments of loose spider- web streaming through space. The last thought stuck. It was that that day was a holiday. Therefore I un-

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

modestly ask you to consider the chapters on the NORAH CREINA with the study of Captain Nares, and the forementioned last four, with their brutality of substance and the curious (and perhaps unsound) technical manoeuvre of running the story together to a point as we go along, the narrative becoming more succinct and the details fining off with every page. - Sworn affidavit of

R. L. S.

NO PERSON NOW ALIVE HAS BEATEN ADELA: I ADORE ADELA AND HER MAKER. SIC SUBSCRIB.

ROBERT LOUIS STEVENSON.

A Sublime Poem to follow.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Collection of Beatrix Potter by Beatrix Potter:

But there was always no money; they never paid for as much as a pennyworth of peppermints.

But the sales were enormous, ten times as large as Tabitha Twitchit's.

As there was always no money, Ginger and Pickles were obliged to eat their own goods.

Pickles ate biscuits and Ginger ate a dried haddock.

They ate them by candle-light

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from My Aunt Margaret's Mirror by Walter Scott:

that a gentleman wished to speak with her in private.

"'In private? and in an assembly room?--he must be mad. Tell him to call upon me to-morrow morning.'

"'I said so, my lady,' answered the man, 'but he desired me to give you this paper.'

"She undid the billet, which was curiously folded and sealed. It only bore the words, 'ON BUSINESS OF LIFE AND DEATH,' written in a hand which she had never seen before. Suddenly it occurred to her that it might concern the safety of some of her political friends. She therefore followed the messenger to a small apartment where the refreshments were prepared, and from which