| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Betty Zane by Zane Grey: bed where Alfred lay, she had not dared to look at him. Presently conquering
her emotion, Betty turned her gaze on the bed. Alfred was lying easily on his
back, and notwithstanding the warmth of the day he was covered with a quilt.
The light from the window shone on his face. How deathly white it was! There
was not a vestige of color in it; the brow looked like chiseled marble; dark
shadows underlined the eyes, and the whole face was expressive of weariness
and pain.
There are times when a woman's love is all motherliness. All at once this man
seemed to Betty like a helpless child. She felt her heart go out to the poor
sufferer with a feeling before unknown. She forgot her pride and her fears and
her disappointments. She remembered only that this strong man lay there at
 Betty Zane |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The School For Scandal by Richard Brinsley Sheridan: SIR BENJAMIN. Ah! you are both of you too good-natured!
SIR PETER. Yes, damned good-natured! Her own relation!
mercy on me! [Aside.]
MRS. CANDOUR. For my Part I own I cannot bear to hear a friend
ill-spoken of?
SIR PETER. No, to be sure!
SIR BENJAMIN. Ah you are of a moral turn Mrs. Candour and can sit
for an hour to hear Lady Stucco talk sentiments.
LADY SNEERWELL. Nay I vow Lady Stucco is very well with the Dessert
after Dinner for she's just like the Spanish Fruit one cracks
for mottoes--made up of Paint and Proverb.
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