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Today's Stichomancy for The Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Unseen World and Other Essays by John Fiske:

natural selection was the discovery of a process, going on perpetually under our very eyes, which must inevitably of itself extinguish some species and bring new ones into being. In these and countless other ways we have learned that all the rich variety of nature is pervaded by unity of action, such as we might expect to find if nature is the manifestation of an infinite God who is without variableness or shadow of turning, but quite incompatible with the fitful behaviour of the anthropomorphic deities of the old mythologies. By thus abstaining from all appeal to agencies that are extra-cosmic, or not involved in the orderly system of events that we see


The Unseen World and Other Essays
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

will not learn anything unless they are so cruelly beaten that they make desperate efforts to memorize words and phrases to escape flagellation. It is a ghastly business, quite beyond words, this schooling.

And now I hear cries of protest arising all round. First my own schoolmasters, or their ghosts, asking whether I was cruelly beaten at school? No; but then I did not learn anything at school. Dr Johnson's schoolmaster presumably did care enough whether Sam learned anything to beat him savagely enough to force him to lame his mind --for Johnson's great mind _was_ lamed--by learning his lessons. None of my schoolmasters really cared a rap (or perhaps it would be fairer

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Stories From the Old Attic by Robert Harris:

against it, and the example of their sophistication and wealth (the chief's woodpile was ninety feet high) was very strong. Many others, from the gossips to the wise man, said that the old way was right, and that the tribe had always behaved that way. There were few real individuals in the tribe, so that even though scores would have been glad to try the cure, they were afraid to stand against the rest and did what everyone else was doing, which was nothing.

The witch doctor had a stronger argument against the new regimen. He pointed out that the cure was harder to take than the cures he dispensed. The Eastern doctor's cure was painful, and though many of the witch doctor's cures caused vomiting, hives, convulsions, and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Somebody's Little Girl by Martha Young:

their walk by the stone bench where Bessie Bell and the lady sat.

Everybody loved to come to the Mall in the afternoon when the band played. Everybody loved to hear the gay music. Everybody loved to see the children in their prettiest clothes, and to see all the nurses rolling the babies in the carriages with the pretty parasols.

And one of the ladies passing by looked over to the stone bench where Bessie Bell sat with her hands folded on her blue checked apron, and where the lady had seated herself just as Sister Helen Vincula had sat before she went across the long bridge.

And the lady said, as she passed by and looked: ``Striking likeness.''