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Today's Stichomancy for The Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tales of the Klondyke by Jack London:

bared to the frost and naked hands grasping the sacred book, Fortune La Pearle swore him to the words he had spoken--an oath which Uri Bram never intended breaking, and never broke.

At the door of the shack the gambler hesitated for an instant, marvelling at the strangeness of this man who had befriended him, and doubting. But by the candlelight he found the cabin comfortable and without occupants, and he was quickly rolling a cigarette while the other man made coffee. His muscles relaxed in the warmth and he lay back with half-assumed indolence, intently studying Uri's face through the curling wisps of smoke. It was a powerful face, but its strength was of that peculiar sort which

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

a dead drooping hand, which hung there convulsed and helpless, as though it had been thrust forth in denunciation of some evil mystery within the house, and had sunk struggling into death.

A girl who was drawing water from the well in the court said that the English doctor lived on the first floor, and Wyant, passing through a glazed door, mounted the damp degrees of a vaulted stairway with a plaster AEsculapius mouldering in a niche on the landing. Facing the AEsculapius was another door, and as Wyant put his hand on the bell-rope he remembered his unknown friend's injunction, and rang twice.

His ring was answered by a peasant woman with a low forehead and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mountains by Stewart Edward White:

and tranquil in mind, and this was but the outer gorgeous show of an intense emotional experience we did not at the moment prove. Our nerves responded to it automatically. We became excited, keyed to a high tension, and so lay rigid on our backs, as though fighting out the battles of our souls.

It was all so unreal and yet so plain to our senses that perforce automatically our experience had to conclude it psychical. We were in air absolutely still. Yet above us the trees writhed and twisted and turned and bent and struck back, evidently in the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from I Have A Dream by Martin Luther King, Jr.:

our destiny and their freedom is inextricably bound to our freedom. We cannot walk alone.

And as we walk, we must make the pledge that we shall march ahead. We cannot turn back. There are those who are asking the devotees of civil rights, "When will you be satisfied?" We can never be satisfied as long as our bodies, heavy with the fatigue of travel, cannot gain lodging in the motels of the highways and the hotels of the cities. We cannot be satisfied as long as the Negro's basic mobility is from a smaller ghetto to a larger one. We can never be satisfied as long as a Negro in Mississippi cannot vote and a Negro in New York believes he has nothing for