| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierre Grassou by Honore de Balzac: visible admiration pleased Fougeres. The golden calf threw upon the
family its fantastic reflections.
"You must earn lots of money; but of course you don't spend it as you
get it," said the mother.
"No, madame," replied the painter; "I don't spend it; I have not the
means to amuse myself. My notary invests my money; he knows what I
have; as soon as I have taken him the money I never think of it
again."
"I've always been told," cried old Vervelle, "that artists were
baskets with holes in them."
"Who is your notary--if it is not indiscreet to ask?" said Madame
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ten Years Later by Alexandre Dumas: looked impatiently over the people's heads, standing on
tip-toe at every step. D'Artagnan remarked this. "Mordioux!"
cried he, "they are in a great hurry to get a sight of the
gibbet!" Raoul drew back, without, however, having the power
to leave the window. Terror even has its attractions.
"To the death! to the death!" cried fifty thousand voices.
"Yes; to the death!" howled a hundred frantic others, as if
the great mass had given them the reply.
"To the halter! to the halter!" cried the great whole; "Vive
le roi!"
"Well," said D'Artagnan, "this is droll; I should have
 Ten Years Later |