| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays of Travel by Robert Louis Stevenson: them but a look, a haunting expression; just that secret quality in a
face that is apt to slip out somehow under the cunningest painter's
touch, and leave the portrait dead for the lack of it. And if it is
hard to catch with the finest of camel's-hair pencils, you may think
how hopeless it must be to pursue after it with clumsy words. If I
say, for instance, that this look, which I remember as Lizzie, was
something wistful that seemed partly to come of slyness and in part
of simplicity, and that I am inclined to imagine it had something to
do with the daintiest suspicion of a cast in one of her large eyes, I
shall have said all that I can, and the reader will not be much
advanced towards comprehension. I had struck up an acquaintance with
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wrong Box by Stevenson & Osbourne: honest man, and his capacity is recognized. And now, gentlemen,
it only remains for me to ask where I shall communicate with
you.'
'The Langham, of course,' returned Michael. 'Till tonight.'
'Till tonight,' replied Gideon, smiling. 'I suppose I may knock
you up at a late hour?'
'Any hour, any hour,' cried the vanishing solicitor.
'Now there's a young fellow with a head upon his shoulders,' he
said to Pitman, as soon as they were in the street.
Pitman was indistinctly heard to murmur, 'Perfect fool.'
'Not a bit of him,' returned Michael. 'He knows who's the best
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