| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A House of Pomegranates by Oscar Wilde: vintage-time came the grape-treaders, with purple hands and feet,
wreathed with glossy ivy and carrying dripping skins of wine; and
the charcoal-burners sat round their huge braziers at night,
watching the dry logs charring slowly in the fire, and roasting
chestnuts in the ashes, and the robbers came out of their caves and
made merry with them. Once, too, he had seen a beautiful
procession winding up the long dusty road to Toledo. The monks
went in front singing sweetly, and carrying bright banners and
crosses of gold, and then, in silver armour, with matchlocks and
pikes, came the soldiers, and in their midst walked three
barefooted men, in strange yellow dresses painted all over with
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Heritage of the Desert by Zane Grey: you see it dips between wall and mountain and separates two valleys.
This valley we go through to-day is where my cattle range. At the other
end is Silver Cup Spring, also mine. Keep your eyes open now, my lad."
How different was the beginning of this day! The sky was as blue as the
sea; the valley snuggled deep in the embrace of wall and mountain. Hare
took a place on the seat beside Naab and faced the descent. The line of
Navajos, a graceful straggling curve of color on the trail, led the way
for the white-domed wagons.
Naab pointed to a little calf lying half hidden under a bunch of sage.
"That's what I hate to see. There's a calf, just born; its mother has
gone in for water. Wolves and lions range this valley. We lose hundreds
 The Heritage of the Desert |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Master of the World by Jules Verne: On the morning of the twenty-seventh of June, I was summoned into the
presence of Mr. Ward.
"Well, Strock," said he, "here is a splendid chance for you to get
your revenge."
"Revenge for the Great Eyrie disappointment?"
"Of course."
"What chance?" asked I, not knowing if he spoke seriously, or in jest.
"Why, here," he answered. "Would not you like to discover the
inventor of this three-fold machine?''
"I certainly should, Mr. Ward. Give me the order to take charge of
the matter, and I will accomplish the impossible, in order to
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Master and Man by Leo Tolstoy: leaves still dangling on it, and there he turned to the left.
On turning they faced directly against the wind, and snow was
beginning to fall. Vasili Andreevich, who was driving,
inflated his cheeks, blowing the breath out through his
moustache. Nikita dozed.
So they went on in silence for about ten minutes. Suddenly
Vasili Andreevich began saying something.
'Eh, what?' asked Nikita, opening his eyes.
Vasili Andreevich did not answer, but bent over, looking behind
them and then ahead of the horse. The sweat had curled
Mukhorty's coat between his legs and on his neck. He went at a
 Master and Man |