| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cromwell by William Shakespeare: [Enter Hodge very fine with a Tipstaff; Cromwell, the
Mace carried before him; Norfolk, and Suffolk, and
attendants.]
HODGE.
Come, away with these beggars here; rise up, sirra.
Come, out the good people: run afore there, ho!
[Friskiball riseth, and stands a far off.]
SEELY.
Aye, we are kicked away, now we come for our own;
the time hath been he would a looked more friendly
upon us. And you, Hodge, we know you well enough,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.: an anguish that made the most callous weep, and then he whispered
something into her ear, upon which the attendants retired, taking
this as a proof that their presence was a hindrance to a free
communication. But they heard no more talking, and in less than
ten minutes they returned. Maximilian and Margaret still retained
their former position. Their hands were fast locked together; the
same parting ray of affection, the same farewell light of love, was
in the eye of Margaret, and still it settled upon Maximilian. But
her eyes were beginning to grow dim; mists were rapidly stealing
over them. Maximilian, who sat stupefied and like one not in his
right mind, now, at the gentle request of the women, resigned his
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Off on a Comet by Jules Verne: discomfiture, made some casual remark about things not being very straight.
The way in which his advance was received the good orderly never divulged,
but henceforward he maintained the firm conviction that there was something
very much amiss up in the sky.
To Servadac and his friends this continual disquietude and ill-humor
on the part of the professor occasioned no little anxiety.
From what, they asked, could his dissatisfaction arise?
They could only conjecture that he had discovered some flaw
in his reckonings; and if this were so, might there not be reason
to apprehend that their anticipations of coming into contact
with the earth, at the settled time, might all be falsified?
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Persuasion by Jane Austen: with high and unjust resentment, though perfectly careless of her,
and though becoming attached to another, still he could not see her suffer,
without the desire of giving her relief. It was a remainder
of former sentiment; it was an impulse of pure, though unacknowledged
friendship; it was a proof of his own warm and amiable heart,
which she could not contemplate without emotions so compounded
of pleasure and pain, that she knew not which prevailed.
Her answers to the kindness and the remarks of her companions
were at first unconsciously given. They had travelled half their way
along the rough lane, before she was quite awake to what they said.
She then found them talking of "Frederick."
 Persuasion |