| The first excerpt represents the past or something you must release, and is drawn from Glinda of Oz by L. Frank Baum: always carried, and in a surprisingly short time had
chopped away enough branches to permit them all to pass
easily through the trees.
Now the clear waters of the beautiful lake were
before them and by looking closely they could see the
outlines of the Great Dome of the sunken island, far
from shore and directly in the center of the lake.
Of course every eye was at first fixed upon this
dome, where Ozma and Dorothy and the Skeezers were
still fast prisoners. But soon their attention was
caught by a more brilliant sight, for here was the
 Glinda of Oz |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Love Songs by Sara Teasdale: Back to a morning in the park
With sapphire shadows on the snow.
Or back to oak trees in the spring
When you unloosed my hair and kissed
The head that lay against your knees
In the leaf shadow's amethyst.
And still another shining place
We would remember -- how the dun
Wild mountain held us on its crest
One diamond morning white with sun.
But I will turn my eyes from you
|
The third excerpt represents the future or something you must embrace, and is drawn from Sons of the Soil by Honore de Balzac: years old, and presented a parchment face honey-combed with the small-
pox, lighted by a pair of green eyes, and framed with dirty-white
hair, which escaped in strands from a red handkerchief,--"wherever one
goes, there they are! they stop us, they open our bundles, and if
there's a single branch, a single twig of a miserable hazel, they
seize the whole bundle, and they say they'll arrest us. Ha, the
villains! there's no deceiving them; if they suspect you, you've got
to undo the bundle. Dogs! all three are not worth a farthing! Yes,
kill 'em, and it won't ruin France, I tell you."
"Little Vatel is not so bad," said Madame Tonsard.
"He!" said Laroche, "he does his business, like the others; when
|