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Today's Stichomancy for Tim Burton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chouans by Honore de Balzac:

went on in his mind betwixt a stern sense of duty and the natural kindness of his heart. He kept his gruff air, partly, perhaps, because he fancied he had deceived himself, but he took the glass of Bordeaux, and said: "Excuse me, comrade, but your Polytechnique does send such young officers--"

"The Chouans have younger ones," said the youth, laughing.

"For whom did you take my son?" asked Madame du Gua.

"For the Gars, the leader sent to the Chouans and the Vendeans by the British cabinet; his real name is Marquis de Montauran."

The commandant watched the faces of the suspected pair, who looked at each other with a puzzled expression that seemed to say: "Do you know


The Chouans
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lesser Hippias by Plato:

Athenians among the Athenians,' falsifying persons and dates, and casting a veil over the gloomier events of Athenian history. It exhibits an acquaintance with the funeral oration of Thucydides, and was, perhaps, intended to rival that great work. If genuine, the proper place of the Menexenus would be at the end of the Phaedrus. The satirical opening and the concluding words bear a great resemblance to the earlier dialogues; the oration itself is professedly a mimetic work, like the speeches in the Phaedrus, and cannot therefore be tested by a comparison of the other writings of Plato. The funeral oration of Pericles is expressly mentioned in the Phaedrus, and this may have suggested the subject, in the same manner that the Cleitophon appears to be suggested by the slight mention of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The First Men In The Moon by H. G. Wells:

upon the attractiveness of my appearance for a proper reception, I could have given much for something a little more artistic and dignified than the husks I wore. I had been so serene in the belief that the moon was uninhabited as to overlook such precautions altogether. As it was I was dressed in a flannel jacket, knickerbockers, and golfing stockings, stained with every sort of dirt the moon offered, slippers (of which the left heel was wanting), and a blanket, through a hole in which I thrust my head. (These clothes, indeed, I still wear.) Sharp bristles are anything but an improvement to my cast of features, and there was an unmended tear at the knee of my knickerbockers that showed conspicuously as I squatted in my litter; my right stocking, too persisted in getting about my ankle.


The First Men In The Moon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

jungle without a single friend to aid her.

She started to crawl from her shelter with the intention of running after Anderssen as fast as she could. As she drew the baby close to her she glanced down into its little face.

How red it was! How unnatural the little thing looked. She raised the cheek to hers. It was fiery hot with fever!

With a little gasp of terror Jane Clayton rose to her feet in the jungle path. The rifle and bandoleer lay forgotten in the shelter beside her. Anderssen was forgotten, and Rokoff, and her great peril.

All that rioted through her fear-mad brain was the fearful


The Beasts of Tarzan