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Today's Stichomancy for Tom Cruise

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gone With the Wind by Margaret Mitchell:

minds. . . . "Those niggers can do anything against us and the Freedmen's Bureau and the soldiers will back them up with guns and we can't vote or do nothin' about it."

"Vote!" she cried. "Vote! What on earth has voting got to do with all this, Will? It's taxes we're talking about. . . . Will, everybody knows what a good plantation Tara is. We could mortgage it for enough to pay the taxes, if we had to."

"Miss Scarlett, you ain't any fool but sometimes you talk like one. Who's got any money to lend you on this property? Who except the Carpetbaggers who are tryin' to take Tara away from you? Why, everybody's got land. Everybody's land pore. You can't give away


Gone With the Wind
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

Secret offerings were brought thither, while the women who were celebrating the feast woke up the new-born god. . . . Festivals of this kind in celebration of the extinction and resurrection of the deity were held (by women and girls only) amid the mountains at night, every third year, about the time of the shortest day. The rites, intended to express the excess of grief and joy at the death and reappearance of the god, were wild even to savagery, and the women who performed them were hence known by the expressive names of Bacchae, Maenads, and Thyiades. They wandered through woods and mountains,


Pagan and Christian Creeds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Emma McChesney & Co. by Edna Ferber:

plant. But common sense is a field flower, and I've gathered whole bunches of it in my years of business experience. I'm not going down to South America for a lark. I'm going because the time is ripe to go. I'm going because the future of our business needs it. I'm going because it's a job to be handled by the most experienced salesman on our staff. And I'm just that. I say it because it's true. Your father, T. A., used to see things straighter and farther than any business man I ever knew. Since his death made me a partner in this firm, I find myself, when I'm troubled or puzzled, trying to see a situation as he'd see it if he were alive. It's like having an expert stand back of you in a


Emma McChesney & Co.
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chance by Joseph Conrad:

shall not even look at you. Remember that grey head of which you have been thinking night and day. Where is it going to rest? Where else if not here, where nothing evil can touch it. Don't you understand that I won't let you buy shelter from me at the cost of your very soul. I won't. You are too much part of me. I have found myself since I came upon you and I would rather sell my own soul to the devil than let you go out of my keeping. But I must have the right."

He went away brusquely to shut the door leading on deck and came back the whole length of the cabin repeating:

"I must have the legal right. Are you ashamed of letting people


Chance