Today's Stichomancy for Tom Hanks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Macbeth by William Shakespeare:

Away, and mock the time with fairest show, False Face must hide what the false Heart doth know.

Exeunt.

Actus Secundus. Scena Prima.

Enter Banquo, and Fleance, with a Torch before him.

Banq. How goes the Night, Boy? Fleance. The Moone is downe: I haue not heard the Clock

Banq. And she goes downe at Twelue

Fleance. I take't, 'tis later, Sir

Banq. Hold, take my Sword:

Macbeth

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Woodlanders by Thomas Hardy:

Without saying a word to anybody in the house, or to the disquieted Winterborne waiting in the lane below, Dr. Jones went home and wrote to Mr. Melbury at the London address he had obtained from his wife. The gist of his communication was that Mrs. Fitzpiers should be assured as soon as possible that steps were being taken to sever the bond which was becoming a torture to her; that she would soon be free, and was even then virtually so. "If you can say it AT ONCE it may be the means of averting much harm," he said. "Write to herself; not to me."

On Saturday he drove over to Hintock, and assured her with mysterious pacifications that in a day or two she might expect to

The Woodlanders

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow:

Making hollows in the snow-drifts. Till at last he rose defeated, Could not bear the heat and laughter, Could not bear the merry singing, But rushed headlong through the door-way, Stamped upon the crusted snow-drifts, Stamped upon the lakes and rivers, Made the snow upon them harder, Made the ice upon them thicker, Challenged Shingebis, the diver, To come forth and wrestle with him,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Heritage of the Desert by Zane Grey:

stamped restlessly. With a desperate fear of losing his beloved horse Hare let go the bridle and stepped upon the ledge. He walked rapidly, for a slow step meant uncertainty and a false one meant death. He heard the sharp ring of Silvermane's shoes, and he listened in agonized suspense for the slip, the snort, the crash that he feared must come. But it did not come. Seeing nothing except the narrow ledge, yet feeling the blue abyss beneath him, he bent all his mind to his task, and finally walked out into lighter space upon level rock. To his infinite relief Silvermane appeared rounding a corner out of the dark passage, and was soon beside him.

Hare cried aloud in welcome.

The Heritage of the Desert