Today's Stichomancy for Tom Hanks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Time Machine by H. G. Wells:

survivors would become as well adapted to the conditions of underground life, and as happy in their way, as the Upper-world people were to theirs. As it seemed to me, the refined beauty and the etiolated pallor followed naturally enough.

`The great triumph of Humanity I had dreamed of took a different shape in my mind. It had been no such triumph of moral education and general co-operation as I had imagined. Instead, I saw a real aristocracy, armed with a perfected science and working to a logical conclusion the industrial system of to-day. Its triumph had not been simply a triumph over Nature, but a triumph over Nature and the fellow-man. This, I must warn you,

The Time Machine

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Statesman by Plato:

STRANGER: And if we call the management of violent rulers tyranny, and the voluntary management of herds of voluntary bipeds politics, may we not further assert that he who has this latter art of management is the true king and statesman?

YOUNG SOCRATES: I think, Stranger, that we have now completed the account of the Statesman.

STRANGER: Would that we had, Socrates, but I have to satisfy myself as well as you; and in my judgment the figure of the king is not yet perfected; like statuaries who, in their too great haste, having overdone the several parts of their work, lose time in cutting them down, so too we, partly out of haste, partly out of a magnanimous desire to expose our

Statesman

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The King of the Golden River by John Ruskin:

essentially an interpreter with a singularly fine appreciation of beauty, no man of the nineteenth century felt more keenly that he had a mission, and none was more loyal to what he believed that mission to be.

While still in college, what seemed a chance incident gave occasion and direction to this mission. A certain English reviewer had ridiculed the work of the artist Turner. Now Ruskin held Turner to be the greatest landscape painter the world had seen, and he immediately wrote a notable article in his defense. Slowly this article grew into a pamphlet, and the pamphlet into a book, the first volume of "Modern Painters." The young man awoke to find himself famous. In the next few years four more volumes were

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Confessio Amantis by John Gower:

He bringth no werres into londe, For he desireth for the beste To setten every man in reste. 3290 Thus with your hihe reverence Me thenketh that this evidence As to this point is sufficant. And touchende of the remenant, Which is the thridde of youre axinges, What leste is worth of alle thinges, And costeth most, I telle it, Pride; Which mai noght in the hevene abide,

Confessio Amantis