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Today's Stichomancy for Tom Hanks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

experience at first a movement of disgust towards the capital, that vast workshop of delights, from which, in a short time, they cannot even extricate themselves, and where they stay willingly to be corrupted. A few words will suffice to justify physiologically the almost infernal hue of Parisian faces, for it is not in mere sport that Paris has been called a hell. Take the phrase for truth. There all is smoke and fire, everything gleams, crackles, flames, evaporates, dies out, then lights up again, with shooting sparks, and is consumed. In no other country has life ever been more ardent or acute. The social nature, even in fusion, seems to say after each completed work: "Pass on to another!" just as Nature says herself.


The Girl with the Golden Eyes
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

peril from the furtive and venomous ghasts, which frequently hopped up onto the tower during the sleep hour of the Gugs. If the Gugs slept long, and the ghasts returned soon from their deed in the cavern, the scent of the climbers might easily be picked up by those loathsome and ill-disposed things; in which case it would almost be better to be eaten by a Gug. Then, after aeons of climbing, there came a cough from the darkness above; and matters assumed a very grave and unexpected turn. It was clear that a ghast, or perhaps even more, had strayed into that tower before


The Dream-Quest of Unknown Kadath
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lost Continent by Edgar Rice Burroughs:

"Snider lied!" I cried. And then I seized her and held her in my arms, and made her listen to me, though she struggled and fought like a young lioness. "I love you, Victory. You must know that I love you--that I have always loved you, and that I never could have made so base a promise."

She ceased her struggles, just a trifle, but still tried to push me from her. "You called me a barbarian!" she said.

Ah, so that was it! That still rankled. I crushed her to me.

"You could not love a barbarian," she went on, but she had ceased to struggle.


Lost Continent
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Spirit of the Border by Zane Grey:

brightened his face.

The hunter was Joe.

He was satisfied now, for after stowing the squirrel in the pocket of his hunting coat he shouldered his rifle and went back up the ravine. Presently a dull roar sounded above the babble of the brook. It grew louder as he threaded his way carefully over the stones. Spots of white foam flecked the brook. Passing under the gray, stained cliff, Joe turned around a rocky corner, and came to an abrupt end of the ravine. A waterfall marked the spot where the brook entered. The water was brown as it took the leap, light green when it thinned out; and below, as it dashed on the stones, it became a beautiful, sheeny white.


The Spirit of the Border