Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Tom Hanks

The first excerpt represents the past or something you must release, and is drawn from Emma by Jane Austen:

"Are you sure? I saw she had execution, but I did not know she had any taste. Nobody talked about it. And I hate Italian singing.-- There is no understanding a word of it. Besides, if she does play so very well, you know, it is no more than she is obliged to do, because she will have to teach. The Coxes were wondering last night whether she would get into any great family. How did you think the Coxes looked?"

"Just as they always do--very vulgar."

"They told me something," said Harriet rather hesitatingly;" but it is nothing of any consequence."

Emma was obliged to ask what they had told her, though fearful


Emma
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Devil's Dictionary by Ambrose Bierce:

knapsack and an impediment in his hope.

PROBOSCIS, n. The rudimentary organ of an elephant which serves him in place of the knife-and-fork that Evolution has as yet denied him. For purposes of humor it is popularly called a trunk. Asked how he knew that an elephant was going on a journey, the illustrious Jo. Miller cast a reproachful look upon his tormentor, and answered, absently: "When it is ajar," and threw himself from a high promontory into the sea. Thus perished in his pride the most famous humorist of antiquity, leaving to mankind a heritage of woe! No successor worthy of the title has appeared, though Mr. Edward bok, of _The Ladies' Home Journal_, is much respected for the purity and


The Devil's Dictionary
The third excerpt represents the future or something you must embrace, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

They discovered that this red thread curved slightly and had a continuation in a fine scratch in the paint of the floor. Muller followed up this scratch and it led him over towards the window and then back again in wide curves, then out again under the desk and finally, growing weaker and weaker, it came back to the neighbourhood of the pool of blood, but on the opposite side of it. Muller got down on his hands and knees to follow up the scratch. He did not notice the discomfort of his position, his eyes shone in excitement and a deep flush glowed in his cheeks. Also, he began to whistle softly.

Joseph Muller, the bloodhound of the Austrian police, had found a