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Today's Stichomancy for Toni Braxton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secret Sharer by Joseph Conrad:

"The land--I say, the mainland is at least seven miles off my anchorage."

"About that."

My lack of excitement, of curiosity, of surprise, of any sort of pronounced interest, began to arouse his distrust. But except for the felicitous pretense of deafness I had not tried to pretend anything. I had felt utterly incapable of playing the part of ignorance properly, and therefore was afraid to try. It is also certain that he had brought some ready-made suspicions with him, and that he viewed my politeness as a strange and unnatural phenomenon. And yet how else could I have received him? Not heartily! That was impossible for psychological reasons,


The Secret Sharer
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The New Machiavelli by H. G. Wells:

method of living and behaviour. Every party stands essentially for the interests and mental usages of some definite class or group of classes in the exciting community, and every party has its scientific-minded and constructive leading section, with well- defined hinterlands formulating its social functions in a public- spirited form, and its superficial-minded following confessing its meannesses and vanities and prejudices. No class will abolish itself, materially alter its way of life, or drastically reconstruct itself, albeit no class is indisposed to co-operate in the unlimited socialisation of any other class. In that capacity for aggression upon other classes lies the essential driving force of modern

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

called to memory the day when the devil had looked forth; and at the thought ice ran in his veins.

"A dreadful thing is the bottle," thought Keawe, "and dreadful is the imp, and it is a dreadful thing to risk the flames of hell. But what other hope have I to cure my sickness or to wed Kokua? What!" he thought, "would I beard the devil once, only to get me a house, and not face him again to win Kokua?"

Thereupon he called to mind it was the next day the HALL went by on her return to Honolulu. "There must I go first," he thought, "and see Lopaka. For the best hope that I have now is to find that same bottle I was so pleased to be rid of."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Black Tulip by Alexandre Dumas:

sight, he pounced upon the border, plunged both his hands into the soft soil, took a handful of the mould, which he gently frittered between his fingers to see whether the bulb was in it, and repeated the same thing twice or three times, until at last he perceived that he was outwitted. Then, keeping down the agitation which was raging in his breast, he took up the rake, smoothed the ground, so as to leave it on his retiring in the same state as he had found it, and, quite abashed and rueful, walked back to the door, affecting the unconcerned air of an ordinary visitor of the garden."

"Oh, the wretch!" muttered Cornelius, wiping the cold sweat


The Black Tulip