| The first excerpt represents the past or something you must release, and is drawn from The Fall of the House of Usher by Edgar Allan Poe: valorously over the silver pavement of the castle to where
the shield was upon the wall; which in sooth tarried not for his
full coming, but fell down at his feet upon the silver floor,
with a mighty great and terrible ringing sound."
No sooner had these syllables passed my lips, than--as if a
shield of brass had indeed, at the moment, fallen heavily upon a
floor of silver--I became aware of a distinct, hollow, metallic,
and clangorous, yet apparently muffled reverberation. Completely
unnerved, I leaped to my feet; but the measured rocking movement
of Usher was undisturbed. I rushed to the chair in which he sat.
His eyes were bent fixedly before him, and throughout his whole
 The Fall of the House of Usher |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Princess by Alfred Tennyson: Of solemn psalms, and silver litanies,
The work of Ida, to call down from Heaven
A blessing on her labours for the world.
Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, while my pretty one, sleeps.
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The third excerpt represents the future or something you must embrace, and is drawn from Droll Stories, V. 1 by Honore de Balzac: abstinence. This meeting took place very soon, and the curious
hunchback saw the boatman waiting below the square, at the Canal St.
Antoine, for the young priest, who was handsome, blonde, slender, and
well-shaped, like the gallant and cowardly hero of love, so celebrated
by Monsieur Ariosto. Then the mechanician went to find the old dyer,
who always loved his wife and always believed himself the only man who
had a finger in her pie.
"Ah!, good evening, old friend," said Carandas to Taschereau; and
Taschereau made him a bow.
Then the mechanician relates to him all the secret festivals of love,
vomits words of peculiar import, and pricks the dyer on all sides.
 Droll Stories, V. 1 |