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Today's Stichomancy for Ulysses S. Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

Bourgonef had been arrested and handed over to the police. Ivan, however, had disappeared; nor were the police ever able to find him. This mattered comparatively little. Ivan without his master was no more redoubtable than any other noxious animal. As an accomplice, as an instrument to execute the will of a man like Bourgonef, he was a danger to society. The directing intelligence withdrawn, he sank to the level of the brute. I was not uneasy, therefore, at his having escaped. Sufficient for me that the real criminal, the mind that had conceived and directed those fearful murders, was at last in the hands of justice. I felt that my task had been fully accomplished when Bourgonef's head fell on the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

creature which bore me backward upon the pile of silks and furs upon which I had been reclining. It was Woola--faithful, loving Woola. He had found his way back to Thark and, as Tars Tarkas later told me, had gone immediately to my former quarters where he had taken up his pathetic and seemingly hopeless watch for my return.

"Tal Hajus knows that you are here, John Carter," said Tars Tarkas, on his return from the jeddak's quarters; "Sarkoja saw and recognized you as we were returning. Tal Hajus has ordered me to bring you before him tonight. I have ten thoats, John Carter; you may take your choice

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Vailima Letters by Robert Louis Stevenson:

extraordinary; he is only an island horse; and the profane might call him a Punch; and his face is like a donkey's; and natives have ridden him, and he has no mouth in consequence, and occasionally shies. But his merits are equally surprising; and I don't think I should ever have known Jack's merits if I had not been riding up of late on moonless nights. Jack is a bit of a dandy; he loves to misbehave in a gallant manner, above all on Apia Street, and when I stop to speak to people, they say (Dr. Stuebel the German consul said about three days ago), 'O what a wild horse! it cannot be safe to ride him.' Such a remark is Jack's reward, and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

the oldest son had quite a dark and romantic bearing, and might be heard on summer evenings playing sentimental airs on the violin.

I had no idea, at the time I made his acquaintance, what an important person Kelmar was. But the Jew store-keepers of California, profiting at once by the needs and habits of the people, have made themselves in too many cases the tyrants of the rural population. Credit is offered, is pressed on the new customer, and when once he is beyond his depth, the tune changes, and he is from thenceforth a white slave. I believe, even from the little I saw, that Kelmar, if he