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Today's Stichomancy for Ulysses S. Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Memorabilia by Xenophon:

every one were to examine himself: "What after all may I chance to be worth to my friends?" Should he not try to become as dear as possible, so that his friends will not care to give him up? How often do I hear the complaint: "My friend So-and-so has given me up"; or "Such an one, whom I looked upon as a friend, has sacrificed me for a mina." And every time I hear these remarks, the question arises in my mind: If the vendor of a worthless slave is ready to part with him to a purchaser for what he will fetch--is there not at least a strong temptation to part with a base friend when you have a chance of making something on the exchange? Good slaves, as far as I can see, are not so knocked down to the hammer; no, nor good friends so lightly parted


The Memorabilia
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

pails on yokes along a little path that ran from the encircling wall towards the houses. These latter were clad in garments of llama cloth and boots and belts of leather, and they wore caps of cloth with back and ear flaps. They followed one another in single file, walking slowly and yawning as they walked, like men who have been up all night. There was something so reassuringly prosperous and respectable in their bearing that after a moment's hesitation Nunez stood forward as conspicuously as possible upon his rock, and gave vent to a mighty shout that echoed round the valley.

The three men stopped, and moved their heads as though they were looking about them. They turned their faces this way and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Virginian by Owen Wister:

Taylor, produced by their contents much painful disturbance.

It will be remembered that Molly wrote to her mother, and to her great-aunt. That announcement to her mother was undertaken first. Its composition occupied three hours and a half, and it filled eleven pages, not counting a postscript upon the twelfth. The letter to the great-aunt took only ten minutes. I cannot pretend to explain why this one was so greatly superior to the other; but such is the remarkable fact. Its beginning, to be sure, did give the old lady a start; she had dismissed the cow-boy from her probabilities.

"Tut, tut, tut!" she exclaimed out loud in her bedroom. "She has


The Virginian
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twelve Stories and a Dream by H. G. Wells:

"No, no!" I cried. "Go on. Tell me what this loggia was like."

"It was not really a loggia--I don't know what to call it. It faced south. It was small. It was all in shadow except the semicircle above the balcony that showed the sky and sea and the corner where the girl stood. I was on a couch--it was a metal couch with light striped cushions-and the girl was leaning over the balcony with her back to me. The light of the sunrise fell on her ear and cheek. Her pretty white neck and the little curls that nestled there, and her white shoulder were in the sun, and all the grace of her body was in the cool blue shadow. She was dressed--how can I describe it? It was easy and flowing. And altogether there she stood, so that