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Today's Stichomancy for Uma Thurman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Nada the Lily by H. Rider Haggard:

him the maid his heart desired, not only would he forgive him the words he had spoken by the mouth of Masilo to the Black One who was dead, but also all the cattle of the Halakazi should be his, and he would make him great in the land. I answered that all this was as the king willed. I had but done my duty by the king and worked so that, whatever befell, a proud chief should be weakened and a foe should be attacked at no cost to the king, in such fashion also that perhaps it might come about that the king would shortly have the Lily at his side.

Then I sat down to wait what might befall.

Now it is, my father, that the white men come into my story, whom we


Nada the Lily
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from God The Invisible King by H. G. Wells:

is with the religious life and not with the poor symbols that may indeed pretend to express, but do as a matter of fact no more than indicate, its direction. It is quite possible to maintain that the church and not the creed is the real and valuable instrument of religion, that the religious life is sustained not by its propositions but by its routines. Anyone who seeks the intimate discussion of spiritual things with professional divines, will find this is the substance of the case for the ecclesiastical sceptic. His church, he will admit, mumbles its statement of truth, but where else is truth? What better formulae are to be found for ineffable things? And meanwhile--he does good.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

the very sight of him threw him into a frenzy of trembling cowardice, which became frantic hysteria as he saw the white giant dive fearlessly into the forbidding waters of the tropical river.

With steady, powerful strokes the ape-man forged out into the stream toward the drifting dugout. Now Rokoff seized one of the paddles lying in the bottom of the craft, and, with terrorwide eyes still glued upon the living death that pursued him, struck out madly in an effort to augment the speed of the unwieldy canoe.

And from the opposite bank a sinister ripple, unseen by either man, moving steadily toward the half-naked swimmer.


The Beasts of Tarzan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of War by Sun Tzu:

12. In every army, the five developments connected with fire must be known, the movements of the stars calculated, and a watch kept for the proper days.

[Tu Mu says: "We must make calculations as to the paths of the stars, and watch for the days on which wind will rise, before making our attack with fire." Chang Yu seems to interpret the text differently: "We must not only know how to assail our opponents with fire, but also be on our guard against similar attacks from them."]

13. Hence those who use fire as an aid to the attack show intelligence; those who use water as an aid to the attack gain an


The Art of War