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Today's Stichomancy for Umberto Eco

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maria, or the Wrongs of Woman by Mary Wollstonecraft:

sympathy he had mistaken for weakness of character; and, because he perceived that I disliked resistance, he thought my indulgence and compassion mere selfishness, and never discovered that the fear of being unjust, or of unnecessarily wounding the feelings of another, was much more painful to me, than any thing I could have to endure myself. Perhaps it was pride which made me imagine, that I could bear what I dreaded to inflict; and that it was often easier to suffer, than to see the sufferings of others.

"I forgot to mention that, during this persecution, I received a letter from my uncle, informing me, 'that he only found relief from continual change of air; and that he intended to return when

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ruling Passion by Henry van Dyke:

and to pass beyond the furious race of white-capped billows that poured from the great river for miles into the sea. Then they turned and made for the group of half-submerged mountains and scattered rocks that Nature, in some freak of fury, had thrown into the throat of Seven Islands Bay. That was a difficult passage. The black shores were swept by headlong tides. Tusks of granite tore the waves. Baffled and perplexed, the wind flapped and whirled among the cliffs. Through all this the little boat buffeted bravely on till she reached the point of the Gran Boule. Then a strange thing happened.

The water was lumpy; the evening was growing thick; a swirl of the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Heap O' Livin' by Edgar A. Guest:

I want to dig and walk around At least full fifty feet of ground; She wants the latest style in tubs; I want more room for trees and shrubs, And a garage, with light and heat, That can be entered from the street.

The trouble is the things we seek Cannot be bought for ten-a-week. And all the joys for which we sigh Are just too rich for us to buy. We have the taste to cut a dash:


A Heap O' Livin'
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chance by Joseph Conrad:

Miss de Barral personally was to go downstairs and put her into the fly himself, while Miss de Barral's nearest relation, having been shouldered out of the way, stood by, with an umbrella and a little black bag, watching this proceeding with grim amusement, as it seemed. It was difficult to guess what the girl thought or what she felt. She no longer looked a child. She whispered to Fyne a faint "Thank you," from the fly, and he said to her in very distinct tones and while still holding her hand: "Pray don't forget to write fully to my wife in a day or two, Miss de Barral." Then Fyne stepped back and the cousin climbed into the fly muttering quite audibly: "I don't think you'll be troubled much with her in the future;" without


Chance