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Today's Stichomancy for V. I. Lenin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The New Machiavelli by H. G. Wells:

it would be a large and difficult thing in my life, but my early training was all in the direction of regarding it as an irrelevant thing, as something disconnected from all the broad significances of life, as hostile and disgraceful in its quality. The world was never so emasculated in thought, I suppose, as it was in the Victorian time. . . .

I was afraid to think either of sex or (what I have always found inseparable from a kind of sexual emotion) beauty. Even as a boy I knew the thing as a haunting and alluring mystery that I tried to keep away from. Its dim presence obsessed me none the less for all the extravagant decency, the stimulating silences of my

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ferragus by Honore de Balzac:

those of Clemence. When she raised her eyelids she saw him, and through those lids passed a tender glance, full of passionate love, free from reproach and bitterness,--a look which fell like a flame of fire upon the heart of that husband, nobly absolved and forever loved by the being whom he had killed. The presentiment of death struck both their minds with equal force. Their looks were blended in one anguish, as their hearts had long been blended in one love, felt equally by both, and shared equally. No questions were uttered; a horrible certainty was there,--in the wife an absolute generosity; in the husband an awful remorse; then, in both souls the same vision of the end, the same conviction of fatality.


Ferragus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beast in the Jungle by Henry James:

their hands on their knees and their heads nodding quite as with the emphasis of an excited sense of smell. When they were two they either mingled their sounds of ecstasy or melted into silences of even deeper import, so that there were aspects of the occasion that gave it for Marcher much the air of the "look round," previous to a sale highly advertised, that excites or quenches, as may be, the dream of acquisition. The dream of acquisition at Weatherend would have had to be wild indeed, and John Marcher found himself, among such suggestions, disconcerted almost equally by the presence of those who knew too much and by that of those who knew nothing. The great rooms caused so much poetry and history to press upon him

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Land of Footprints by Stewart Edward White:

at close range may catch the most experienced man; and even when clearly seen, it is difficult to stop. The buffalo's wide bosses are a helmet to his brain, and the body shot is always chancy. The beast tosses his victim, or tramples him, or pushes him against a tree to crush him like a fly.

He who would get his trophy, however, is not always-perhaps is not generally-forced into the thicket to get it. When not much disturbed, buffaloes are in the habit of grazing out into the open just before dark; and of returning to their thicket cover only well after sunrise. If the hunter can arrange to meet his herd at such a time, he stands a very good chance of getting a