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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

the purpose. Now, listen, and I will frankly explain my reasons for insisting on this interview. At the death, thirty years since, of our uncle Jaffrey, it was found,--I know not whether the circumstance ever attracted much of your attention, among the sadder interests that clustered round that event,--but it was found that his visible estate, of every kind, fell far short of any estimate ever made of it. He was supposed to be immensely rich. Nobody doubted that he stood among the weightiest men of his day. It was one of his eccentricities, however,--and not altogether a folly, neither,--to conceal the amount of his property by making distant and foreign investments, perhaps under other names than


House of Seven Gables
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The $30,000 Bequest and Other Stories by Mark Twain:

and the first "rake" the barber gave him with his razor it LOOSENED HIS "HIDE" and LIFTED HIM OUT OF THE CHAIR.

This is unquestionably exaggerated. In Florence he was so annoyed by beggars that he pretends to have seized and eaten one in a frantic spirit of revenge. There is, of course, no truth in this. He gives at full length a theatrical program seventeen or eighteen hundred years old, which he professes to have found in the ruins of the Coliseum, among the dirt and mold and rubbish. It is a sufficient comment upon this statement to remark that even a cast-iron program would not have lasted so long under such circumstances. In Greece he plainly betrays both fright and flight upon one occasion,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jungle Book by Rudyard Kipling:

our family. Now, where has that nasty little beast gone to?"

I heard him feeling about with his trunk.

"We all seem to be affected in various ways," he went on, blowing his nose. "Now, you gentlemen were alarmed, I believe, when I trumpeted."

"Not alarmed, exactly," said the troop-horse, "but it made me feel as though I had hornets where my saddle ought to be. Don't begin again."

"I'm frightened of a little dog, and the camel here is frightened by bad dreams in the night."

"It is very lucky for us that we haven't all got to fight in


The Jungle Book
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Shakespeare's Sonnets by William Shakespeare:

'I hate', from hate away she threw, And sav'd my life, saying 'not you'.

CXLVI

Poor soul, the centre of my sinful earth, My sinful earth these rebel powers array, Why dost thou pine within and suffer dearth, Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend? Shall worms, inheritors of this excess, Eat up thy charge? Is this thy body's end?