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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fables by Robert Louis Stevenson:

town's market, with the thing in your creel and nought beside?"

"I sit here," says the man, "to get me a wife."

"There is no sense in any of these answers," thought the Earl's daughter; "and I could find it in my heart to weep."

By came the Earl upon that; and she called him and told him all. And when he had heard, he was of his daughter's mind that this should be a thing of virtue; and charged the man to set a price upon the thing, or else be hanged upon the gallows; and that was near at hand, so that the man could see it.

"The way of life is straight like the grooves of launching," quoth the man. "And if I am to be hanged let me be hanged."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Shadow Line by Joseph Conrad:

China Sea! Ha! Ha!"

"But why should he replace the bottles like this?" . . . I began.

"Why shouldn't he? Why should he want to throw the bottles away? They fit the drawer. They belong to the medicine chest."

"And they were wrapped up," I cried.

"Well, the wrappers were there. Did it from habit, I suppose, and as to refilling, there is always a lot of stuff they send in paper parcels that burst after a time. And then, who can tell? I suppose


The Shadow Line
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sesame and Lilies by John Ruskin:

unless you are deliberately kind to every creature, you will often be cruel to many. Cruel, partly through want of imagination, (a far rarer and weaker faculty in women than men,) and yet more, at the present day, through the subtle encouragement of your selfishness by the religious doctrine that all which we now suppose to be evil will be brought to a good end; doctrine practically issuing, not in less earnest efforts that the immediate unpleasantness may be averted from ourselves, but in our remaining satisfied in the contemplation of its ultimate objects, when it is inflicted on others.

It is not likely that the more accurate methods of recent mental education will now long permit young people to grow up in the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Adam Bede by George Eliot:

their brown pitchers, their rough curs, and their clusters of onions. In this world there are so many of these common coarse people, who have no picturesque sentimental wretchedness! It is so needful we should remember their existence, else we may happen to leave them quite out of our religion and philosophy and frame lofty theories which only fit a world of extremes. Therefore, let Art always remind us of them; therefore let us always have men ready to give the loving pains of a life to the faithful representing of commonplace things--men who see beauty in these commonplace things, and delight in showing how kindly the light of heaven falls on them. There are few prophets in the world; few


Adam Bede